Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 76
How could I possibly do all that was required in four weeks ? ... prepared in advance and worked very fast in the rehearsals of my first Broadway production , My Heart's in the Highlands , and at the end of the first week I was ...
How could I possibly do all that was required in four weeks ? ... prepared in advance and worked very fast in the rehearsals of my first Broadway production , My Heart's in the Highlands , and at the end of the first week I was ...
Page 100
I am trying to bring into focus gradually , week by week . I don't think that truth need be untheatrical or that theatricality need be false . It is not advisable to use only outside means to create , because I do believe that stifles ...
I am trying to bring into focus gradually , week by week . I don't think that truth need be untheatrical or that theatricality need be false . It is not advisable to use only outside means to create , because I do believe that stifles ...
Page 120
Finally , it is the sad truth ( and I want to leave you with this because it will depress you nicely until next week ! ) that the theatre is very cruel in the sense that it has to cast for exactly what is needed .
Finally , it is the sad truth ( and I want to leave you with this because it will depress you nicely until next week ! ) that the theatre is very cruel in the sense that it has to cast for exactly what is needed .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole