Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 76
How could I possibly do all that was required in four weeks ? I had heard stories
of the Habima Theatre ' s production of The Dybbuk , which they had rehearsed
for six months , and the last three months they had to rush ! The author of the play
...
How could I possibly do all that was required in four weeks ? I had heard stories
of the Habima Theatre ' s production of The Dybbuk , which they had rehearsed
for six months , and the last three months they had to rush ! The author of the play
...
Page 100
I am trying to bring into focus gradually, week by week. I don't think that truth need
be untheatrical or that theatricality need be false. It is not advisable to use only
outside means to create, because I do believe that stifles your true feeling ...
I am trying to bring into focus gradually, week by week. I don't think that truth need
be untheatrical or that theatricality need be false. It is not advisable to use only
outside means to create, because I do believe that stifles your true feeling ...
Page 100
I am trying to bring into focus gradually , week by week . I don ' t think that truth
need be untheatrical or that theatricality need be false . It is not advisable to use
only outside means to create , because I do believe that stifles your true feeling ...
I am trying to bring into focus gradually , week by week . I don ' t think that truth
need be untheatrical or that theatricality need be false . It is not advisable to use
only outside means to create , because I do believe that stifles your true feeling ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole