Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 47
... play , but still are related . There was a comedy character in Golden Boy , a neighbor who felt that the only way he ... whole play , regardless of the various moods of the individual scenes . It is an important item . For example , in ...
... play , but still are related . There was a comedy character in Golden Boy , a neighbor who felt that the only way he ... whole play , regardless of the various moods of the individual scenes . It is an important item . For example , in ...
Page 78
... whole series of that kind of thing . How many " big " scenes are there in a play ? And how much of one's part is often sloughed off because of the inability to exe- cute those " small " aspects of it ? If possible , it is naturally ...
... whole series of that kind of thing . How many " big " scenes are there in a play ? And how much of one's part is often sloughed off because of the inability to exe- cute those " small " aspects of it ? If possible , it is naturally ...
Page 110
... whole play . Certainly , in the " Eroica " symphony , the idea of it being a kind of tribute to nobility , heroism , is the thing that gives the whole piece its mood . For example , there is a funeral march movement in it . Well , there ...
... whole play . Certainly , in the " Eroica " symphony , the idea of it being a kind of tribute to nobility , heroism , is the thing that gives the whole piece its mood . For example , there is a funeral march movement in it . Well , there ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words