The Architecture of Continuity: Essays and ConversationsThe state of contemporary architecture is the product of a 150-year battle between the Polytechnic and the Fine Arts that has forced us into today's stalemate, one in which architecture is caught in the gaping chasm between a materialistic high-tech and an expressionistic formalism. Nevertheless, Spuybroek's aim is to mend such a rift by rethinking technology as part of our sensory apparatus, materiality as the realm of activity and agency, and structure as the product of genesis. Building on Gottfried Semper's materialist theory of architecture, Spuybroek takes us from a philosophy of technology to a surprisingly historical argumentation that insistently revives the words of John Ruskin, William Hogarth and Wilhelm Worringer. The book includes several probing essays alongside extensive conversations in which we can see Spuybroek refine and sharpen his arguments. He makes statements such as 'No, I am not a Gothic Revivalist, but almost,' or 'We should use new instruments to address old architectural problems; not to create new problems,' and even 'We should reinvent tectonics, not do away with it.' In a period of calm with regard to architectural theorization this book makes a refreshing return to the basics, thereby realigning theory, methodology and architectural form. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Common terms and phrases
abstract action actually aesthetic archi architects architecture Art Nouveau articulation beauty become behavior body building Cedric Price columns complex concept configurations connected construction constructivism constructivist continuity continuum course create curvature curves deformation diagram doesn’t elements emerge everything experience façade feeling flexible floor forces Francisco Varela Frei Otto’s Gaudí geometry Gothic grid haptic Humberto Maturana interaction Koolhaas lines look machine massing material matter means ments merge metadesign mobilization morphologies move movement Naum Gabo never object Oliver Sacks ontology organization ornament paintings pattern perception proprioception pure relations relationship Rem Koolhaas ruled surfaces Ruskin scale Semper’s sense shift simply Son-O-House space spline Spuybroek steel stereotomy struc structure surface systemacy techniques tectonics textile texture theory there’s things threads tion topological tower transformation ture vagueness Varela variable variation Villa Savoye volume wall whole