The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag |
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Page xii
... as much as possible , to masters and scholars , and to all who wish to acquire an accurate knowledge of the ge- nuine principles of reading and speaking , without taking any thing for granted , or being the mere xii PREFACE .
... as much as possible , to masters and scholars , and to all who wish to acquire an accurate knowledge of the ge- nuine principles of reading and speaking , without taking any thing for granted , or being the mere xii PREFACE .
Page xiii
James Chapman. taking any thing for granted , or being the mere slaves of rote and imitation , the Author has put all the text , and some of the notes , into the form of questions , which , not to interrupt the connection of the text ...
James Chapman. taking any thing for granted , or being the mere slaves of rote and imitation , the Author has put all the text , and some of the notes , into the form of questions , which , not to interrupt the connection of the text ...
Page 7
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Page 15
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Page 19
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Contents
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
CHAP IV | 65 |
CHAP V | 82 |
CHAP VI | 91 |
Rhythm Ancient Rhythm whatEssentials | 100 |
CHAP IX | 116 |
Three hundred and eightyeight questions | 232 |
CHAP XV | 251 |
Set to the Music of Specch | 252 |
The Soldiers Dream Ditto | 260 |
The Contented Miller | 266 |
The Swollen Torrent | 274 |
Hohenlinden an Epic Song | 280 |
Set to the Music of Speech | 299 |
CHAP X | 128 |
CHAP XI | 142 |
CHAP XII | 153 |
CHAP XIII | 183 |
CHAP XIV | 222 |
Battle of Waterloo | 325 |
The Rainbow | 332 |
The Temple of Jerusalem | 338 |
Hamlets Directions to the Players | 345 |
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllables honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words