Cranioklepty: Grave Robbing and the Search for Genius

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Unbridled Books, 2009 - Biography & Autobiography - 308 pages
The after-death stories of Franz Joseph Haydn, Ludwig Beethoven, Swedenborg, Sir Thomas Browne and many others have never before been told in such detail and vividness.

Fully illustrated with some surprising images, this is a fascinating and authoritative history of ideas carried along on the guilty pleasures of an anthology of real-after-life gothic tales.

Beginning dramatically with the opening of Haydn’s grave in October 1820, cranioklepty takes us on an extraordinary history of a peculiar kind of obsession. The desire to own the skulls of the famous, for study, for sale, for public (and private) display, seems to be instinctual and irresistible in some people. The rise of phrenology at the beginning of the 19th century only fed that fascination with the belief that genius leaves its mark on the very shape of the head.
 

Contents

Non Omnis Moriar
1
PART ONE A Most Valuable Relic
13
Mapping the Invisible
15
The Music Lover
35
So Was She So She Is Now
51
The Golden Lyre
66
All the Ferrets Were Set in Motion
80
PART TWO The Alchemical Body
87
A City of Corpses
177
Scientific Golgothas
188
A Measure of Fame
201
Some Last Pathetic Quibbling
213
Homo Renaissancus
234
PART FOUR Repatriations
237
Homecomings
239
Rival Skulls
249

The RiddleFilled Book of Destiny
89
The New Science
104
Skulduggery
124
The Brainowner and His Skull
148
Fragments of a Mystery
167
PART THREE The Fate of His Bones
175
The Ruined Bridges to the Past
267
Hoaxes and Ringers
283
The End of the End of the Story
294
Bibliography
303
Index of Names
307
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About the author (2009)

Colin Dickey is the co-editor of Failure! Experiments in Aesthetic and Social Practices (2008). His fiction and nonfiction have appeared in Cabinet, TriQuarterly and The Santa Monica Review. A native of the San Francisco area, he now lives in Los Angeles.