Philological tracts, &cF. C. and J. Rivington, 1823 - Authors, English |
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Page 6
... been accustomed to expect from it a solution of almost every difficulty . If foreign words therefore were re- jected , it could be little regarded , except by cri- ticks , or those who aspire to criticism ; and 6 THE PLAN OF.
... been accustomed to expect from it a solution of almost every difficulty . If foreign words therefore were re- jected , it could be little regarded , except by cri- ticks , or those who aspire to criticism ; and 6 THE PLAN OF.
Page 7
Samuel Johnson. ticks , or those who aspire to criticism ; and however it might enlighten those that write , would be all darkness to them that only read . The unlearned much oftener consult their dictionaries for the mean- ing of words ...
Samuel Johnson. ticks , or those who aspire to criticism ; and however it might enlighten those that write , would be all darkness to them that only read . The unlearned much oftener consult their dictionaries for the mean- ing of words ...
Page 23
... opposed to fall , and another as opposed to fly ; for want of attending to which distinction , obvious as it is , the learned Dr. Bentley has squan- dered his criticism to no purpose , on these lines AN ENGLISH DICTIONARY . 23 .
... opposed to fall , and another as opposed to fly ; for want of attending to which distinction , obvious as it is , the learned Dr. Bentley has squan- dered his criticism to no purpose , on these lines AN ENGLISH DICTIONARY . 23 .
Page 24
Samuel Johnson. dered his criticism to no purpose , on these lines of Paradise Lost : 66 In heaps Chariot and ... critic , the critic , " as the sentence is now read , we find that what stood , fled : " and therefore he proposes an ...
Samuel Johnson. dered his criticism to no purpose , on these lines of Paradise Lost : 66 In heaps Chariot and ... critic , the critic , " as the sentence is now read , we find that what stood , fled : " and therefore he proposes an ...
Page 34
... criticism can never wash them away : these , therefore , must be permitted to remain un- touched ; but many words have likewise been altered by accident , or depraved by ignorance , as the pro- nunciation of the vulgar has been weakly ...
... criticism can never wash them away : these , therefore , must be permitted to remain un- touched ; but many words have likewise been altered by accident , or depraved by ignorance , as the pro- nunciation of the vulgar has been weakly ...
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ancient appear attempt Banquo Bemoin bounty catalogue censure characters common conjecture considered copies corn corrupt criticism curiosity degree dictionary died hereafter diligence discovered drama easily editions editor elegance elliptical arch emendations endeavoured English English language enquiry Epictetus Essay excellence exhibit expected Falstaff favour genius Harleian library Henry Henry VI honour hope imagined inserted INTERPOLATION kind king king of Portugal knowledge known labour language learned less lexicography likewise Macbeth mankind means ments Milton mind nation nature necessary neral never NOTE obscure observed opinion orthography Paradise Lost particular passage passions perfect spy performed perhaps play poet Pope Portuguese praise preserved Prester John prince produced proper publick racter reader reason Roman scenes seems sense sentiments Shakespeare shew shewn sometimes speech sufficient supposed things thought tion tragedy truth William Lauder witches words writers written
Popular passages
Page 140 - Shakespeare's plays are not, in the rigorous and critical sense, either tragedies or comedies, but compositions of a distinct kind, exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination...
Page 67 - I have protracted my work till most of those whom I wished to please have sunk into the grave; and success and miscarriage are empty sounds. I therefore dismiss it with frigid tranquillity, having little to fear or hope from censure or from praise.
Page 136 - ... find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual; in those of Shakespeare it is commonly a species.
Page 88 - Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty...
Page 66 - ... be perfect, since while it is hastening to publication, some words are budding, and some falling away; that a whole life cannot be spent upon syntax and etymology, and that even a whole life would not be sufficient; that he, whose design includes whatever language can express, must often speak of what he does not understand...
Page 149 - He no sooner begins to move, than \ he counteracts himself; and terror and pity, as they 1 are rising in the mind, are checked and blasted by ! sudden frigidity. - - , A quibble is to Shakespeare, what luminous vapours are to the traveller; he follows it at all adventures : it is sure to lead him out of his way, and sure to engulf him in the mire.
Page 139 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies by reading human sentiments in human language; by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Page 87 - Than wishest should be undone. Hie thee hither, That I may pour my spirits in thine ear; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal.
Page 37 - I am not yet so lost in lexicography, as to forget that words are the daughters of earth, and that things are the sons of heaven.
Page 169 - He has scenes of undoubted and perpetual excellence; but perhaps not one play, which, if it were now exhibited as the work of a contemporary writer, would be heard to the conclusion.