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How might I that fair wonder know,
That mocks desire with endless no?
See the moon,

That ever in one change doth grow,

Yet still the same ;-and she is so.

So, so, and only so:

From Heaven her light she doth borrow.

To her then yield thy shafts and bow,
That can command affections so.
Love is free.

So are her thoughts that vanquish thee:
There is no queen of love but she.

She, she, and only she,

Queen of love, and of beauty.

These very fantastic lines evidently apply to the Maiden Queen, who albeit she was in love with every proper man about the court, yet forsooth must compare herself to the icicle on Dian's temple.

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CLXXVIII.

By a fountain where I lay,
(All blessed be that blessed day!)
By the glimmering of the sun,
(Oh! never be that shining done!)
I espyed all alone

My true love, my fairest one;
Love's dear light,

Love's clear sight ;

No world's eye can clearer see;
A fairer sight no none can be.
Fair with garlands all addrest,
(Was ever nymph more fairly blest?
Blessed in the high'st degree,

May she ever blessed be!)

Came she to this fountain near,
And with such a smiling cheer,

Such a face,

Such a grace ;—

Happy, happy eyes that see

Such a heavenly sight as she.

Then I forthwith took my pipe,

Which I all fair and clean did wipe;
And upon a heavenly ground,
All in the grace of beauty found,
Play'd this merry roundelay;—
Welcome fairest Queen of May:
Sing sweet air,

Welcome fair,

Welcome be the shepherds' queen;
The pride and glory of our green.

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Another dish of flattery somewhat in the Oriana style. I like the minuteness with which the shepherd describes the preliminary operation before commencing his Roundelay. Many of the grounds or bases upon which performers used to exercise their ingenuity in running divisions or variations, are still extant. Purcell's ground is well known.

CLXXIX.

Farewell, unkind, farewell! to me no more a father;
Since my
heart holds my love most dear:

The wealth which thou dost reap, another's hand must

gather,

Tho' thy heart still lies buried there.

Then farewell, Oh! farewell!

Welcome my love, my joy for ever.

'Tis not the vain desire of human fleeting beauty,
Makes my mind live, tho' means do die:
Nor do I nature wrong, tho' I forget my duty;

Love not i' th' blood, but sp'rit doth lie.

Then farewell, Oh! farewell!

Welcome my love, my joy for ever.

This seems to be the effusion of some young gentleman who has made himself

"An exile from his father's ha',

"And all for love of "

some fayre ladye. I cannot commend the want of filial duty, but I admire the parting hit which he gives the old one about his money.

JOHN WILBYE.

I feel no hesitation in calling John Wilbye the first of Madrigal writers. I except not even the great Luca Marenzio himself; for albeit there are six or seven hundred of his Madrigals extant, and only sixty-four by Wilbye, none of the former in my opinion can compare with Sweet honey-sucking bees, Flora gave me fairest flowers, Down in a valley, or Draw on, sweet night.

No other printed works of Wilbye, save the two sets of Madrigals about to be noticed, are known to me.

The first is entitled "Madrigals* to three, four, five, and "six voices, newly composed by John Wilbye. At London, "printed by Thomas Este, 1598." Dedicated to "The right "worshipful and valorous Knight, Sir Charles Cavendish.

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"Right worshipful and renowned Knight; it hath hap"pened of late, I know not how, whether by my fortune or folly, to commit some of my labours to the press; "which (the weaker the work is) have more need of an "honourable patron. Everything persuades me that your "countenance is a sufficient warrant for them against sharp tongues and unfriendly censures: knowing your rare virtues and honourable accomplishments to be such "as may justly challenge their better regard and opinion "whom it shall please you to patronize. If perchance "they shall prove worthy your patronage, my affection, duty, and good will, bind me rather to dedicate them to you than to any other; both for the reverence and honour "I owe to all other your most singular virtues, and espe

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cially also for your excellent skill in music, and your great love and favour of music. There remaineth only "your favourable acceptance, which humbly craving at your hands, with protestation of all duty and service, I

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* Thirty in number.

"humbly take my leave. From the Augustine Fryers "(now Austin Friars), the 12th day of April, 1598.

"Your Worship's ever most bounden,
"And dutiful in all humility,

"JOHN WILBYE."

CLXXX.

Ah me! can every rumour
Thus start my lady's humour?
Name ye some galante to her—
Why straight forsooth I woo her!
Then bursts she forth in passion-
"You men love but for fashion."
Yet sure I am that no man

Ever so loved woman.

Then, alas! love, be wary,

For women be contrary.

Ladies, beware of jealousy; for a grief of heart and sorrow is a woman that is jealous over another woman. (Ecclesiasticus, xxvi. 6.) Moreover, beware of giving cause for jealousy, as it is an ordinary thing for women to scrat the faces or slit the noses of such as they suspect. So Henry the Second's queen did by Fair Rosamond, who complains, she scarce spake,

"But flew with eager fury to my face,

"Offering me most unwomanly disgrace."-S. Daniel. Far better in such cases, according to Mr. Burton's advice, "to interpret charitably all things for the best, like St. "Francis; who by chance seeing a friar saluting another "man's wife, was so far from misconceiving it, that he "presently kneeled down, and thanked God there was so "much charity left in the world."

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