The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic CompositionThis is the only book that combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them. Loaded with hundreds of full-color examples, The Filmmaker's Eye is a focused, easy-to-reference guide that shows you how to become a strong visual storyteller through smart, effective choices for your shots. This book has struck a chord worldwide and is being translated into several languages After a short introduction to basic principles, a variety of shots are deconstructed in the following format: - Why It Works: an introduction to a particular type of shot - How It Works: callouts point out exactly how the shot works the way it does--the visual rules and technical aspects in action - Technical Considerations: the equipment and techniques needed to get the shot. - Breaking the Rules: examples where the "rules" are brilliant subverted |
Contents
localizando o quadro | 1 |
princípios da composição e conceitos técnicos | 6 |
sistema de imagem | 21 |
closeup extremo | 29 |
closeup | 35 |
closeup médio | 41 |
plano médio | 47 |
plano geral médio | 53 |
plano emblemático | 107 |
plano abstrato | 113 |
plano macro | 119 |
plano zoom | 125 |
plano panorâmico | 131 |
plano inclinado | 137 |
plano dolly | 143 |
plano dolly zoom | 149 |
Other editions - View all
The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition Gustavo Mercado No preview available - 2017 |
Common terms and phrases
35mm lens adapter abstract shots Apocalypto axis background breaking the rules camera movement camera moves camera to subject canted shot CCD sensors character’s cinematic connection convey core ideas crane shot Dae-su deep depth depth of field dolly shot dolly zoom dolly zoom shot effect emblematic shot emotional establishing shots example extreme close extreme long shot field of view filmmakers focal length focus puller foreground group shots HD cameras high angle Hitchcock’s rule image system instance let the audience look macro shots manipulate meaningful medium close medium long shot medium shots narrative normal O.T.S. shot Oldboy placement prime lens prosumer reveal rule of thirds scene SD and HD SD video sequence shot shallow depth shooting format shooting indoors showcase Steadicam Steadicam shot story subject distance subjective shot surrounding area technical considerations lenses telephoto lens tilt shot tracking shot underline visual elements visual strategy wide angle lens Woo-jin’s zoom lens