Dramatic Technique in FictionI cannot guarantee that you will become a great writer because you are reading this book. But I can guarantee that you will be a better one - that you will come away from these pages with new - and practical - insight into writing for the satisfaction of the reader. |
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actor artist assonance ative audience Bahr begin Benjamin Blom cadence called CHAPTER character Chekhov co-creativity conflict create creative intent critics D. H. Lawrence dialogue Dickens dramatic dramatist E. B. White E. M. Forster emotional entertainment Ernest Eudora Welty example eyes fact feel fiction Flannery Flannery O'Connor Flaubert Gatsby Goldenweizer Hemingway human idea imagination James Jewbird Joyce Katherine Anne Porter Knopf Literary art literature lives Maugham mean mind narrative voice narrator natural ness never night Novel New York O'Connor omniscient pacing passion perhaps play Press of Mississippi prose reader reality recognized Review Robert S. S. Koteliansky Saul Bellow scene sense serious writer short story stage manager Stevenson story line style symbols talk technique tell theater there's things third person Thomas Hardy Thomas Mann tion Tolstoy trans understand unique what's Willa Cather writ written wrote young