The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 - English drama |
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... Sentiments , and many pernicious characters are placed in too fair a point of view ; to develope vice from this poetical masquerade ; to strip off the ferpent's fhining coat , and to shew the poifon which lurks within , is the DRAMATIC ...
... Sentiments , and many pernicious characters are placed in too fair a point of view ; to develope vice from this poetical masquerade ; to strip off the ferpent's fhining coat , and to shew the poifon which lurks within , is the DRAMATIC ...
Page 191
... sentiments of the friar in a mode exactly resembling the harmo- nious notes of a Newgate turnkey brow - beating un- happy prifoners ; we must however allow him the me- rit of a figure and countenance very well adapted -- Mr . BAN- Romeo ...
... sentiments of the friar in a mode exactly resembling the harmo- nious notes of a Newgate turnkey brow - beating un- happy prifoners ; we must however allow him the me- rit of a figure and countenance very well adapted -- Mr . BAN- Romeo ...
Page 407
... Sentiments of tender nature arife ; and , as Flaminius , the latter proposes affiftance to the farmer ; who however declares , that filial duty will not fuffer him to affail , with violence , even a tyrannic parent . One material ...
... Sentiments of tender nature arife ; and , as Flaminius , the latter proposes affiftance to the farmer ; who however declares , that filial duty will not fuffer him to affail , with violence , even a tyrannic parent . One material ...
Page 477
... sentiment and expreffion , is made of whim , a character quite outré ; therefore in action cannot be tied down to any exact line of na- ture . Mr. MACKLIN marked the meaning of this character very strongly , but wanted volubility ; Mr ...
... sentiment and expreffion , is made of whim , a character quite outré ; therefore in action cannot be tied down to any exact line of na- ture . Mr. MACKLIN marked the meaning of this character very strongly , but wanted volubility ; Mr ...
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Common terms and phrases
againſt agreeable alfo alſo appears audience Beggar's Opera Cato cauſe cenfure character circumftance confequence confiderable converfation Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene fecond feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftriking ftrong fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftructive Jaffier juft juftice Juliet juſt King King Lear lady laft laſt lefs Linco Macbeth Mandane mention Merchant of Venice merit Mifs moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſe poffeffed praiſe prefent promife purpoſe racter raiſe reaſon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſay ſcene ſeems ſhall ſhe ſpeaks ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful whofe wifh wiſh Zenobia
Popular passages
Page 100 - I have lived long enough : my way of life Is fall'n into the sear, the yellow leaf ; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Page 464 - Sweet are the uses of adversity, Which, like the toad.' ugly and venomous, Wears yet a precious jewel in his head ; And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in, stones, and good in every thing.
Page 464 - The seasons' difference; as, the icy fang, And churlish chiding of the winter's wind; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say,— This is no flattery: these are counsellors That feelingly persuade me what I am.
Page 289 - For do but note a wild and wanton herd, Or race of youthful and unhandled colts, Fetching mad bounds, bellowing and neighing loud, Which is the hot condition of their blood ; If they but hear perchance a trumpet sound, Or any air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze By the sweet power of music...
Page 85 - This guest of summer, The temple-haunting martlet, does approve By his loved mansionry that the heaven's breath Smells wooingly here : no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendant bed and procreant cradle : Where they most breed and haunt, I have observed The air is delicate.
Page 141 - I'll see, before I doubt; when I doubt, prove; And, on the proof, there is no more but this, — Away at once with love, or jealousy.
Page 286 - Tis mightieft in the mightieft; it becomes The throned monarch better than his crown...
Page 62 - Suppose we lampoon'd all the pretty women in town and left her out ; or, what if we made a ball, and forgot to invite her, with one or two of the ugliest.
Page 467 - If ever been where bells have knoll'd to church ; If ever sat at any good man's feast ; If ever from your eyelids wiped a tear, And know what 'tis to pity and be pitied ; Let gentleness my strong enforcement be : In the which hope, I blush, and hide my sword.
Page 102 - The way to dufty death. Out, out, brief candle ! Life's but a walking fhadow ; a poor player, That ftruts and frets his hour upon the ftage, And then is heard no more : it is a tale Told by an idiot, full of found and fury, Signifying nothing.