History of the Art of Antiquity

Front Cover
Getty Publications, Jan 15, 2006 - Art - 446 pages
In 1764, Johann Joachim Winckelmann published a key early instance of art-historical thinking, his Geschichte der Kunst des Alterthums, here translated into English for the first time. Dazzled by the sensuous and plastic beauty of recently excavated artifacts - coins, engraved gems, vases, paintings, reliefs, and statues - Winckelmann synthesized the visual and written evidence then available into a systematic history of art in ancient Egypt, Persia, Etruria, Rome, and, above all, Greece. His passionate yet detailed inquiry investigates the idea of beauty over time and space, offering a chronological and descriptive account whose conceptual and historical paradigms have been reiterated and contested into the twentieth century. Alex Potts's introduction not only sketches the circumstances that shaped Winckelmann's project but also assesses this scholar's indelible influence on European intellectual life - for both modern art history and archaeology commence with Winckelmann.
 

Contents

Introduction Alex Potts
1
Plates
54
History of the Art of Antiquity
67
Preface
71
Legends for the Engravings
81
Engravings
86
Chapter 1 Origin of Art and Reasons for Its Diversity among Peoples
111
Chapter 2 Art of the Egyptians Phoenicians and Persians
128
Chapter 3 Art of the Etruscans and Their Neighbors
159
Chapter 4 Art of the Greeks
186
Chapter 5 Art of the Romans
283
Part
298
History of the Art of Antiquity with Regard to the External Circumstances of the Time among the Greeks
299
Works Cited by Winckelmann
373
Illustration Credits
415
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About the author (2006)

Johann Joachim Winckelmann was a groundbreaking Prussian art historian whose History of Ancient Art (1764) outlined a chronology of all ancient art.

Alex Potts is Max Loehr Collegiate Professor in the Department of History of Art at the University of Michigan, Ann Arbor.

Harry Francis Mallgrave is an architect and an architectural historian. He is the author of numerous articles on nineteenth- and twentieth-century German and American architecture and has lectured extensively on architectural theory.

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