Richard Wagner and his world
Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories. Wagner and His World examines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction in Tristan und Isolde as psychology and symbol; Wagner as his own stage director; his conflicted relationship with pianist-composer Franz Liszt; the anti-French satire Eine Kapitulation in the context of the Franco-Prussian War; and responses of Jewish writers and musicians to Wagner's anti-Semitism. In addition to the editor, the contributors are Karol Berger, Leon Botstein, Lydia Goehr, Kenneth Hamilton, Katherine Syer, and Christian Thorau. This book also includes translations of essays, reviews, and memoirs by champions and detractors of Wagner; glimpses into his domestic sphere in Tribschen and Bayreuth; and all of Wagner's program notes to his own works. Introductions and annotations are provided by the editor and David Breckbill, Mary A. Cicora, James Deaville, Annegret Fauser, Steven Huebner, David Trippett, and Nicholas Vazsonyi.
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Aristophanic Operetta as Cultural Warfare
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achieve Adler Adorno aesthetic Amfortas anti-Semitism appeared Aristophanes artistic audience Bayreuth career Bayreuth festival beautiful Beethoven Berlin Brendel character chorus comedy composer concert Cosima Cosima Wagner critics culture death Dresden Eduard Hanslick essay example excerpts expression Faust feeling Franz Franz Liszt Frau French genius genre German Grail Hanslick Herr idea Jewish Jews Kapitulation King later Leipzig leitmotifs Leon Botstein letter libretto listener Liszt Lohengrin Ludwig Master Meistersinger melody Meyerbeer modern motive Munich music drama musicians Musik Musikalisches Nietzsche Offenbach opera operetta orchestra overture Paris Parisian Parsifal performance piano political Prelude premiere production published rehearsals Rheingold Richard Wagner Ring role scene Schroder-Devrient score seems Seidl sense Senta Siegfried significance singers singing song Spitzer stage Symphony Tannhauser theater theme tion trans translation Tristan und Isolde Vienna Viennese voice Wagner's music Wagnerian Walkiire Weimar Weininger Wilhelmine Wilhelmine Schroder-Devrient Wolzogen Wotan writing