I love to think on mercies past, I love, by faith, to take a view Of brighter scenes in heaven; Thus, when life's toilsome day is o'er, PHOEBE HINSDALE BROWN HYMN FOR THE DEDICATION OF A CHURCH WHERE ancient forests round us spread, Where bends the cataract's ocean-fall, On the lone mountain's silent head, There are thy temples, God of all! Beneath the dark-blue, midnight arch, Whence myriad suns pour down their rays, Where planets trace their ceaseless march, Father! we worship as we gaze. The tombs thine altars are; for there, When earthly loves and hopes have fled, To thee ascends the spirit's prayer, All space is holy; for all space Is filled by thee; but human thought Burns clearer in some chosen place, Where thy own words of love are taught. Here be they taught; and may we know That faith thy servants knew of old; Which onward bears through weal and woe, Till Death the gates of heaven unfold ! Nor we alone; may those whose brow ROCKED IN THE CRADLE OF THE DEEP ROCKED in the cradle of the deep For thou, O Lord! hast power to save. When in the dead of night I lie And such the trust that still were mine, II FIRST LYRICAL PERIOD (IN THREE DIVISIONS) FROM THE OUTSET OF PIERPONT, BRYANT, AND THEIR ASSOCIATES, TO THE INTERVAL OF THE CIVIL WAR 1816-1860 Pierpont's "Airs of Palestine": Baltimore, 1816 Bryant's "Thanatopsis": North Amer. Review, Sept. 1817; “Poems" ("The Ages," etc.): Cambridge, 1821 Halleck and Drake's "The Croakers": N. Y. Evening Post, 1819 Mrs. Brooks's "Judith," etc.: Boston, 1820; "Zophiel": London, 1833 2 Emerson's "Nature": Boston, 1836; “Poems": Boston, 1846 Whittier's "Mogg Megone": Boston, 1836; "Poems": Philadelphia, 1838 Longfellow's "Voices of the Night": Cambridge, 1839 Poe's "Tamerlane," etc.: Boston, 1827; “Al Aaraaf," etc.: Baltimore, 1829 3 Lowell's "A Year's Life": Boston, 1841; "Poems": Boston, 1844 Mrs. Howe's" Passion Flowers": Boston, 1854 Whitman's "Leaves of Grass": Brooklyn, 1855 Boker's "Calaynos, A Tragedy": Philadelphia, 1848 Taylor's "Ximena": Philadelphia, 1844; “Rhymes of Travel": New York, 1849 Stoddard's “Poems”: Boston, 1852; “ Songs of Summer": Boston, 1856 FIRST LYRICAL PERIOD (IN THREE DIVISIONS) DIVISION I (PIERPONT, HALLECK, BRYANT, DRAKE, MRS. BROOKS, AND OTHERS) John Pierpont THE FUGITIVE SLAVE'S APOSTROPHE TO THE NORTH STAR STAR of the North! though night winds drift The fleecy drapery of the sky Between thy lamp and me, I lift, Yea, lift with hope, my sleepless eye To the blue heights wherein thou dwellest, And of a land of freedom tellest. Till, where its rays directly fell, Wise were the men who followed thus Who 're slaves because we wear a skir Dark as is night's protecting wing,Thou art to us a holy thing. And we are wise to follow thee! I trust thy steady light alone: Star of the North! thou seem'st to me To burn before the Almighty's throne. To guide me, through these forests dim And vast, to liberty and HIM. Thy beam is on the glassy breast Öf the still spring, upon whose brink I lay my weary limbs to rest, And bow my parching lips to drink. In the dark top of southern pines I nestled, when the driver's horn Called to the field, in lengthening lines, My fellows at the break of morn. And there I lay, till thy sweet face Looked in upon "my hiding-place." The tangled cane-brake, where I crept For shelter from the heat of noon, And where, while others toiled, I slept Till wakened by the rising moon, As its stalks felt the night wind free, Gave me to catch a glimpse of thee. |