Love's Labour's Lost"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: |
From inside the book
Results 1-5 of 80
Page ii
William Shakespeare William Henry Hudson. Copyright , 1904 , by H. H. FURNESS ELECTROTYPED BY WESTCOTT & THOMSON , PHILADA . LIPPINCOTT'S PRESS , PHILADA . IN MEMORIAM PREFACE Love's Labour's Lost stands , as regards.
William Shakespeare William Henry Hudson. Copyright , 1904 , by H. H. FURNESS ELECTROTYPED BY WESTCOTT & THOMSON , PHILADA . LIPPINCOTT'S PRESS , PHILADA . IN MEMORIAM PREFACE Love's Labour's Lost stands , as regards.
Page iii
William Shakespeare William Henry Hudson. IN MEMORIAM PREFACE Love's Labour's Lost stands , as regards the Text.
William Shakespeare William Henry Hudson. IN MEMORIAM PREFACE Love's Labour's Lost stands , as regards the Text.
Page v
William Shakespeare William Henry Hudson. PREFACE Love's Labour's Lost stands , as regards the Text , side by side with Much Ado About Nothing . Here , as there , we have an early Quarto , which the printers of the First Folio closely ...
William Shakespeare William Henry Hudson. PREFACE Love's Labour's Lost stands , as regards the Text , side by side with Much Ado About Nothing . Here , as there , we have an early Quarto , which the printers of the First Folio closely ...
Page viii
... Love's Labour's Lost , the number of these hopelessly corrupt passages is five , which is rather above the average for a single play . If the corruption were restricted to these five lines , we might still hold the text in general to be ...
... Love's Labour's Lost , the number of these hopelessly corrupt passages is five , which is rather above the average for a single play . If the corruption were restricted to these five lines , we might still hold the text in general to be ...
Page ix
... Love's Labour's Lost . In past years it has been assumed that SHAKE- SPEARE intended , in the character of Don Armado to cast ridicule on this peculiar fashion of speech . This assumption was , in its accept- ance , largely , if not ...
... Love's Labour's Lost . In past years it has been assumed that SHAKE- SPEARE intended , in the character of Don Armado to cast ridicule on this peculiar fashion of speech . This assumption was , in its accept- ance , largely , if not ...
Other editions - View all
Common terms and phrases
ABBOTT Armado beauty Berowne Biron Boyet Brag called CAPELL character Coll COLLIER comedy compositor conj Costard Cotgrave doth Dr Johnson Dumain Dyce edition editors emendation English et cet Euphuism eyes F₂ faire Ff et seq Florio Folio fool French HALLIWELL hath haue Holofernes John Florio Johns JOHNSON King King of Navarre Ktly ladies Latin letter Longaville Lord loue Love's Labour's Lost MALONE meaning misprint moſt Moth MURRAY N. E. D. Nathaniel Navarre night Pedant phrase play poet Pompey Pope et seq Princess printed Priscian pronunciation Q₂ Quarto quotes R. G. WHITE reading rhyme Rlfe Rofa Rosaline Rowe et seq says scene seems sense Shakespeare ſhall Sing Sonnet speech Steev STEEVENS subs ſweet thee Theob THEOBALD theſe thou Twelfth Night WALKER Crit Warb Warburton word
Popular passages
Page 62 - That it should come to this! But two months dead: nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a satyr; so loving to my mother That he might not beteem the winds of heaven Visit her face too roughly.
Page 28 - My good Child, know this, that thou art not able to do these things of thyself, nor to walk in the Commandments of God, and to serve him, without his special grace ; which thou must learn at all times to call for by diligent prayer.
Page 184 - HIGH on a throne of royal state, which far Outshone the wealth of Ormus and of Ind, Or where the gorgeous East with richest hand Showers on her kings barbaric pearl and gold...
Page 184 - You meaner beauties of the night, That poorly satisfy our eyes More by your number than your light ; You common people of the skies ; What are you when the moon shall rise?
Page 204 - At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead...
Page 326 - From women's eyes this doctrine I derive: They sparkle still the right Promethean fire ; They are the books, the arts, the academes, That show, contain, and nourish all the world...
Page 21 - Then the Priest shall take the Child into his hands, and shall say to the godfathers and godmothers, Name this child.
Page 232 - A quibble is the golden apple for which he will always turn aside from his career or stoop from his elevation. A quibble, poor and barren as it is, gave him such delight that he was content to purchase it by the sacrifice of reason, propriety, and truth. A quibble was to him the fatal Cleopatra for which he lost the world, and was content to lose it.