Biographia Literaria, Or, Biographical Sketches of My Literary Life and Opinions, Part 1
Biographia Literaria has emerged over the last century as a supreme work of literary criticism and one of the classics of English literature. Into this volume poured 20 years of speculation about the criticism and uses of poetry and about the psychology of art. Following the text of the 1817 edition, the editors offer the first completely annotated edition of the highly allusive work.
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Poems (1797) Poems (1803) PQ Prelude (1959) (EHC) PW(JDC) CK Reed RS
RSL SC Schelling A bhandlungen Schelling Darlegung Schelling Einleitung
Schelling Ideen Schelling Phil Briefe Schelling Phil Schrift Schelling Phil und Rel
Schelling F. W. Schelling Vom Ich als Prinzip der Philo- Vom Ich sophie (included
in Philosophische Schriften, above). Schelling F. W. Schelling Vorlesungen ilber
die Methode des Vorlesungen akademischen Stadiums (Tubingen 1 803).
The idea would bring into play Leibniz, Kant, Schelling, and others, all of whom
tried to find harmony between the oppo- sites, either by claiming it simply was pre
-established, as in the case of Leibniz, or, like Schelling, by using the imagination
Kant's interpreters were mistakenly creating narrow and theoretical systems,
dogmatic ones (as both Fichte and Schelling pointed out), quarrelling over the
first critique instead of viewing it as the groundwork for a greater whole
We can think of Kant's reproductive, productive, and aesthetic imaginations as an
immediate forerunner.2 Schelling also divides imagination into three levels (erste
, zweite, dritte Potenz, after the mathematical use of "power"), expressed in the ...