Biographia Literaria, Or, Biographical Sketches of My Literary Life and Opinions, Part 1Biographia Literaria has emerged over the last century as a supreme work of literary criticism and one of the classics of English literature. Into this volume poured 20 years of speculation about the criticism and uses of poetry and about the psychology of art. Following the text of the 1817 edition, the editors offer the first completely annotated edition of the highly allusive work. |
From inside the book
Results 1-5 of 82
Page xx
In such instances, we have cited both Coleridge's edition and the standard
modern edition, provided its text in the relevant passage is the same as that used
or probably used by Coleridge. Coleridge manuscripts, where quoted, are printed
...
In such instances, we have cited both Coleridge's edition and the standard
modern edition, provided its text in the relevant passage is the same as that used
or probably used by Coleridge. Coleridge manuscripts, where quoted, are printed
...
Page xlvii
It ended with Wordsworth asking the printer to omit the poem and to cancel a
crucial passage of the Preface that spoke of the essential agreement of the two
men and turn it into a mere list of the poems included from Coleridge.1 Although
the ...
It ended with Wordsworth asking the printer to omit the poem and to cancel a
crucial passage of the Preface that spoke of the essential agreement of the two
men and turn it into a mere list of the poems included from Coleridge.1 Although
the ...
Page xcvi
In the passage Coleridge cites and translates from the Enneads, the key is
intuition, and Coleridge thinks of it as a "sacred power". Our intuitions, our
philosophic imaginations, meet the divine on a middle ground where the divine
chooses to ...
In the passage Coleridge cites and translates from the Enneads, the key is
intuition, and Coleridge thinks of it as a "sacred power". Our intuitions, our
philosophic imaginations, meet the divine on a middle ground where the divine
chooses to ...
Page xcvii
Indications that, in England, "imagination" was becoming the more
comprehensive and serious word are found in Dryden's letter to Sir Robert
Howard prefatory to Annus Mirabilis (1667), Shaftesbury's Characteristics (1711)
— in a passage ...
Indications that, in England, "imagination" was becoming the more
comprehensive and serious word are found in Dryden's letter to Sir Robert
Howard prefatory to Annus Mirabilis (1667), Shaftesbury's Characteristics (1711)
— in a passage ...
Page cxv
General charges of plagiarism are made, with a few passages cited as "examples
" or with simple page numbers. When we face the issue of plagiarism, at least in
an important work, there is no substitute for presenting parallel passages in full.
General charges of plagiarism are made, with a few passages cited as "examples
" or with simple page numbers. When we face the issue of plagiarism, at least in
an important work, there is no substitute for presenting parallel passages in full.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
appears association become beginning Biographia called cause Chapter character Coleridge Coleridge's common continued copy criticism discussion distinction effect English equally especially Essay existence expressed fact fancy feelings Friend genius German give given ground hand human idea images imagination immediate important interest John Kant kind knowledge language later least Lect less letter lines living Maass means mind moral nature never object once original passage person philosophical phrase poem poet poetic poetry possible Preface present principles printed probably produced prose published quoted reader reason refers remark Schelling seems sense sentence speaking spirit style things thought tion translation true truth understanding vols volume whole Wordsworth writing written