Beckett Before Godot

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Cambridge University Press, Jul 29, 2004 - Drama - 292 pages
In Beckett before Godot, John Pilling (editor of the Cambridge Companion to Beckett) re-evaluates the formative years of Beckett between the publication of his first work in 1929 and the composition late in 1946 of The Calmative, his last work before the 'trilogy'. Using a wealth of unpublished manuscripts and correspondence from around the world, Pilling offers a detailed account of Beckett's early psychological and aesthetic development, and shows how his artistic growth was paradoxically linked to the likelihood of failure, to which he was always temperamentally attracted. Pilling's treatment of the first two decades of Beckett's career as a writer offers for the first time a coherent critical narrative of his development during this long period of apprenticeship. Beckett before Godot links biographical fact with a series of powerful close readings to modify and enhance our understanding of one of this century's most influential authors.
 

Contents

the
11
the vicissitudes
12
Proust and Le Concentrisme
34
a solution
56
towards Echos Bones
77
More Pricks Than Kicks
93
the reviews
114
Murphy
125
19371940
151
Watt and Watt not
168
a universe become provisional
187
Conclusion
228
Notes
234
Select bibliography
262
Index
272
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