A National Joke: Popular Comedy and English Cultural IdentitiesComedy is crucial to how the English see themselves. This book considers that proposition through a series of case studies of popular English comedies and comedians in the twentieth century, ranging from the Carry On films to the work of Mike Leigh and contemporary sitcoms such as The Royle Family, and from George Formby to Alan Bennett and Roy 'Chubby' Brown. Relating comic traditions to questions of class, gender, sexuality and geography, A National Joke looks at how comedy is a cultural thermometer, taking the temperature of its times. It asks why vulgarity has always delighted English audiences, why camp is such a strong thread in English humour, why class influences what we laugh at and why comedy has been so neglected in most theoretical writing about cultural identity. Part history and part polemic, it argues that the English urgently need to reflect on who they are, who they have been and who they might become, and insists that comedy offers a particularly illuminating location for undertaking those reflections. |
Contents
1 | |
Chapter 2 Concerning comedy | 9 |
Chapter 3 Notions of nation | 26 |
Chapter 4 Englishnesses | 39 |
Contours and legacies | 63 |
English comedys effeminate tradition | 87 |
Gender and togetherness in the male double act | 111 |
Why the Carry Ons carry on | 128 |
Class culture and The Royle Family | 144 |
Alan Bennett Mike Leigh Victoria Wood | 159 |
The importance of Roy Chubby Brown | 187 |
A national sense of humour? | 204 |
210 | |
226 | |
Other editions - View all
A National Joke: Popular Comedy and English Cultural Identities Andy Medhurst No preview available - 2007 |
A National Joke: Popular Comedy and English Cultural Identities Andy Medhurst No preview available - 2007 |