Digital Filmmaking 101An essential guide to producing low-budget movies. Reveals the secrets of making professional-quality digital moviemaking on ultra-low budgets: (1) Digital video equipment, personal computers, and software for filmmakers; (2) Scripting; (3) Casting; (4) Production; (5) Distribution; (6) Cost cutting techniques; (7) Production techniques; (8) Guerrilla filmmaking; (9) Working the Film Festival circuit; and (10) Jump starting your film career and much more ... |
From inside the book
Results 1-3 of 42
Page 209
... editing the rough cut and the fine cut ; sound - effects editing ; dialogue looping ; music scoring ; sound mixing ; and then creating the final master tape . Editing Finding your editor In outlining how to find and work with an editor ...
... editing the rough cut and the fine cut ; sound - effects editing ; dialogue looping ; music scoring ; sound mixing ; and then creating the final master tape . Editing Finding your editor In outlining how to find and work with an editor ...
Page 212
... editor Often the hardest part of working with an editor is simply letting him or her do the job . The urge to micromanage the process may be strong , but we recommend that you resist it . Leaning over your editor's shoulder critiquing ...
... editor Often the hardest part of working with an editor is simply letting him or her do the job . The urge to micromanage the process may be strong , but we recommend that you resist it . Leaning over your editor's shoulder critiquing ...
Page 213
... editors stretch their creative muscles a bit . It will be good for your editor , and it will make your movie better . The rough cut or first cut Nowadays , with nonlinear editing systems , the differences between the rough cut and the ...
... editors stretch their creative muscles a bit . It will be good for your editor , and it will make your movie better . The rough cut or first cut Nowadays , with nonlinear editing systems , the differences between the rough cut and the ...
Contents
The Dream Taking a Leap | xix |
The Script If It Aint on the Page | 3 |
Story | 4 |
Copyright | |
156 other sections not shown
Other editions - View all
Digital Filmmaking 101: An Essential Guide to Producing Low-budget Movies Dale Newton,John Gaspard No preview available - 2007 |
Common terms and phrases
actors audience audition Blair Witch Project budget cable camcorder camera cast and crew characters composer corporate costs costumes create Dale Newton digital feature digital movie digital video director of photography distribution distributors dream editor equipment extra feature film feature-length movie filmmakers format give going hang glider Hollywood in-camera effects Independent Feature Project Internet keep light look low-budget makeup move moviemakers night nonprofit Patrick Gleason person Phone postproduction preproduction preview professional props publicity recording rehearsal release forms rent rental Resident Alien S-VHS scene strips screen screenplay screenwriter script script breakdown shooting ratio shot someone sound effects special effects story studio sure tape tell theater theatrical there's things track ultra-low-budget unit production manager wardrobe weekend write