Playing the viola: conversations with William Primrose
Oxford University Press, Apr 28, 1988 - Biography & Autobiography - 244 pages
Before the death, in 1982, of the renowned violist William Primrose, David Dalton engaged the musician in a lively series of conversations which touched on almost all aspects of viola technique, performance, repertoire, recording, and history. This book is a transcription of this dialogue, containing illuminating advice on holding the viola, bowing, tone, fingering, and practicing, all supported by copious illustrations and musical examples, as well as insights on repertoire for the viola--"an instrument without tradition"--and on performances of the great concertos by Bartok and Walton. Punctuated with frankness and humor, this book is a tribute to one of the greatest artists of this century.
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accompanist arpeggios artist audience aware Bach Baroque Bartok Concerto become Beethoven believe bow arm bowing technique Brigham Young University cadenza career cellist cello suites chord competition composer conductor dalton David Oistrakh difficulties double-stop down-bow edition elbow etudes example experience feel finger-board fourth finger frog hear heard Heifetz Hindemith hold the bow instance instrument intonation Kreisler Kreutzer left hand Leopold Mozart Lionel Tertis listener London String Quartet melody Milhaud movement Mozart never octaves open strings orchestra passage person piano piece pizzicato player playing the viola polyphony position practice Primrose's problems recital recording repertoire scales second finger shifting shoulder simply solo soloist sometimes Sonata sound staccato string quartet stroke student sure teacher teaching Tertis thing thumb tone transcription trill tune up-bow usually vibrato viola playing Violin Concerto violinists violists William Primrose wrist Ysaye