James Joyce: The Centennial SymposiumMorris Beja |
Contents
Preface Phillip Herring | xi |
Abbreviations | xvii |
9 | xxi |
Yeats and Joyce Papers by A Walton Litz Giorgio | 21 |
Gender and Narrative Voice in Jacobs Room and | 31 |
Naming in Pynchon and Joyce | 47 |
Syntax and the Subject in Sirens | 59 |
To Sing or to Sign | 66 |
Finnegans Wake | 109 |
The Passage toward Pentecost | 123 |
The Tristan and | 132 |
Joyces Consubstantiality | 149 |
Joyces Goddess of Generation | 158 |
Thrust Syphilis Down to Hell | 173 |
Joyces Early Publishing History in America | 184 |
Signs on a White Field | 209 |
The Emblematic Vibration | 76 |
The Silence of the Sirens | 82 |
The Language of Flow | 89 |
The TwiceTold Tales in | 95 |
Ulysses and Its Audience | 220 |
Notes on Contributors | 231 |
Common terms and phrases
appear Arnold Artist becomes Bildungsroman Bloom Burrus and Caseous called chapter characters Circe critical culture Dalloway David Hayman death dream Dublin echo edition Eliot English episode essay father female feminine fiction Finnegans Wake goddess Gravity's Rainbow Gripes Huebsch Hugh Kenner imagination Ireland Irish Jacob's Room James Joyce James Joyce's Jones Joycean Kenner language Leopold Bloom letter lips literary literature Litz Lucia Lucia Joyce male meaning metaphors mind Miss modern Molly Molly's Mookse narrative narrator Nora notebook Notes novel organs passage Pentecost personality Portrait printing professor published Pynchon question readers references relationship Richard Ellmann seems sense sentence sexual Shaun Shem Shem's Simon Dedalus Sirens song Stephen Dedalus story symbol syphilis T. S. Eliot tale theme things tongues tower tradition Tristan Ulysses University Press Viking voice Woolf words writing Yeats Yeats's York young