What? Thou hast not and dost thou fear? Sar. Myr. Fear!-I'm a Greek, and how should I fear death? A slave, and wherefore should I dread my freedom? Sar. Then wherefore dost thou turn so pale ? Myr. I love. Even for that other's sake. This is too rash: [dared Sar. Myrrha ! Myr. Frown not upon me: you have smiled Too often on me not to make those frowns Bitterer to bear than any punishment Which they may augur. — King, I am your subject! Master, I am your slave! Man, I have loved you !— Loved you, I know not by what fatal weakness, Although a Greek, and born a foe to monarchsA slave, and hating fetters-an Ionian, And, therefore, when I love a stranger, more Degraded by that passion than by chains! Still I have loved you. If that love were strong Enough to overcome all former nature, Shall it not claim the privilege to save you? Sar. Save me, my beauty! Thou art very fair, I have heard thee talk of as the favourite pastime About my fathers or their land. chronism. Nor could Myrrha, at so early a period of her country's history, have spoken of their national hatred of kings, or of that which was equally the growth of a later age, -their contempt for "barbarians."- HEBER.] Sar. Thou speakest of them. Myr. Yet oft True true: constant thought Will overflow in words unconsciously; But when another speaks of Greece, it wounds me. Sar. Well, then, how wouldst thou save me, as thou saidst? Myr. By teaching thee to save thyself, and not Thyself alone, but these vast realms, from all The rage of the worst war-the war of brethren. Sar. Why, child, I loathe all war, and warriors; I live in peace and pleasure: what can man Do more? Myr. Alas! my lord, with common men To ward off worse oppression, their own passions. Ask of the gods thy fathers. Sar. They cannot answer; when the priests speak for them, "Tis for some small addition to the temple. Myr. Look to the annals of thine empire's founders. Sar. They are so blotted o'er with blood, I cannot. But what wouldst have? the empire has been founded. I cannot go on multiplying empires. Myr. Preserve thine own. Sar. At least, I will enjoy it. Come, Myrrha, let us go on to the Euphrates: The hour invites, the galley is prepared, And the pavilion, deck'd for our return, In fit adornment for the evening banquet, Shall blaze with beauty and with light, until It seems unto the stars which are above us Itself an opposite star; and we will sit Crown'd with fresh flowers like Sar. A day which may redeem thee? Wilt thou not Pan. 'Tis true! From the deep urgency with which the prince Despatch'd me to your sacred presence, I Must dare to add my feeble voice to that Which now has spoken. Boon which I ever ask'd Assyria's king. Pan. Sar. And obey. Pania, hence! [Exit PANIA. I marvel at thee. What is thy motive, Myrrha, thus to urge me? Myr. Thy safety; and the certainty that nought Could urge the prince thy kinsman to require Thus much from thee, but some impending danger. Sar. And if I do not dread it, why shouldst thou? Myr. Because thou dost not fear, I fear for thee. Sar. To-morrow thou wilt smile at these vain fancies. [weep, Myr. If the worst come, I shall be where none country's daughters Love none but heroes. But I have no country! He loves me, and I love him; the slave loves 1 If not, I have a means of freedom still, I must not lose him from my sight. ACT II. SCENE 1. [Exit. 1 The Portal of the same Hall of the Palace. Beleses (solus). The sun goes down: methinks he sets more slowly, [There are two of Lord Byron's characteristic excel. lences, which he never leaves behind in his most fantastic expeditions, and which he has accordingly brought into his new domain of classic tragedy. One of these is his intense feeling of the loveliness of woman-his power, not only of picturing individual forms, but of infusing into the very atmosphere which surrounds them the spirit of beauty and of love. A soft roseate light is spread over them, which seems to sink into the soul. The other faculty to which we allude is his Taking his last look of Assyria's empire. How red he glares amongst those deepening clouds, I have outwatch'd ye, reading ray by ray The edicts of your orbs, which make Time tremble -- To whom the very stars shine victory? "T was a brave one. comprehensive sympathy with the vastest objects in the material universe. There is scarcely any pure description of individual scenes in all his works; but the noblest allusions to the grandeurs of earth and heaven. He pays "no allegiance but to the elements." The moon, the stars, the ocean, the mountain desert, are endowed by him with new "speech and language," and send to the heart their mighty voices. He can interpret between us and the firmament, or give us all the sentiment of an everlasting solitude. - Anon.] Bel. And midst them, mark Yon earliest, and the brightest, which so quivers, As it would quit its place in the blue ether. Arb. Well? Bel. 'Tis thy natal ruler-thy birth planet. Arb. (touching his scabbard). My star is in this scabbard when it shines, : It shall out-dazzle comets. Let us think Thy planets and their portents. When we conquer, Bel. Ay, and the most devout for brave- thou hast not Seen me turn back from battle. Bel. (to Arb. aside). Hush! let him go his way. (Alternately to Bal.) Yes, Balea, thank the monarch, kiss the hem Of his imperial robe, and say, his slaves Bal. It was: the place, the hall of Nimrod. Lords, I humble me before you, and depart. [Exit BALEA. Arb. I like not this same sudden change of place; There is some mystery: wherefore should he change it ? Bel. Doth he not change a thousand times a day? Sloth is of all things the most fanciful— And moves more parasangs in its intents Than generals in their marches, when they seek To leave their foe at fault. Why dost thou muse? Arb. He loved that gay pavilion, it was ever No; I own thee His summer dotage. Bel. Arb. As firm in fight as Babylonia's captain, As skilful in Chaldea's worship: now, Will it but please thee to forget the priest, And be the warrior? And he loved his queen And thrice a thousand harlotry besides And he has loved all things by turns, except Wisdom and glory. Arb. Still-I like it not. Now were I a soothsayer, I would have boded so much to myself. But elsewhere than the palace. Sal. 'Tis not the hour. Sal -so far that [of, You hear him, and me. [The Guards attack ARBACES, who defends himself valiantly and dexterously till they waver. Is it even so; and must I do the hangman's office? Recreants! see How you should fell a traitor. Sar. [SALEMENES attacks ARBACES. Enter SARDANAPALUS and Train. Hold your hands. Upon your lives, I say. What, deaf or drunken? My sword! O fool, I wear no sword: here, fellow, Give me thy weapon. [To a Guard. [SARDANAPALUS snatches a sword from one of the soldiers, and rushes between the combatants they separate. Sar. In my very palace! What hinders me from cleaving you in twain, Audacious brawlers? ["But found the monarch claim'd his privacy."-MS.] Sal. (showing the signet). Thine. Here I am but your slave-a moment past Then sheathe [ARBACES and SALEMENES return their swords to the scabbards. Sal. Mine's sheathed: I pray you sheathe not yours: "Tis the sole sceptre left you now with safety. Sar. A heavy one; the hilt, too, hurts my hand. (To a Guard.) Here, fellow, take thy weapon back. Well, sirs, What doth this mean? Let him deliver up his weapon, and |