Shakespeare: Invention of the Human: The Invention of the Human"The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. |
From inside the book
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Page 13
... speare's " meaning . " Life itself has become a naturalistic unreality , partly , because of Shake- speare's prevalence . To have invented our feelings is to have gone beyond psychologizing us : Shakespeare made us theatrical , even if ...
... speare's " meaning . " Life itself has become a naturalistic unreality , partly , because of Shake- speare's prevalence . To have invented our feelings is to have gone beyond psychologizing us : Shakespeare made us theatrical , even if ...
Page 361
... speare's purposes are only a touch clearer than the Duke's . This scherzo ends comedy for Shakespeare , though strange laughters erupt in the re- maining range of his work . Sexual desire , a disaster in Troilus and Cressida , becomes ...
... speare's purposes are only a touch clearer than the Duke's . This scherzo ends comedy for Shakespeare , though strange laughters erupt in the re- maining range of his work . Sexual desire , a disaster in Troilus and Cressida , becomes ...
Page 434
... speare after Hamlet . Only Othello and Coriolanus exclude all laughter , as if to protect two great captains from the Falstaffian perspective . When Othello , doubtless the fastest sword in his profession , wants to stop a street fight ...
... speare after Hamlet . Only Othello and Coriolanus exclude all laughter , as if to protect two great captains from the Falstaffian perspective . When Othello , doubtless the fastest sword in his profession , wants to stop a street fight ...
Contents
Shakespeares Universalism | 1 |
The Comedy of Errors | 21 |
The Taming of the Shrew | 28 |
Copyright | |
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Shakespeare: Invention of the Human: The Invention of the Human Harold Bloom No preview available - 1999 |
Common terms and phrases
ambivalence Antony and Cleopatra audience authentic Barabas Barnardine Bastard become Ben Jonson Berowne Brutus Caesar Caliban character Christian comedy comic consciousness Cordelia Coriolanus critics Cymbeline death Desdemona doth drama Dream Duke Edgar Edmund eyes Falstaff and Hamlet father Faulconbridge final Fool genius give Goneril Hal's hath heart Henry human imagination Imogen invention irony Jonson Juliet King Lear Lady lago lago's Lear's Leontes lord Love's Labour's Lost lovers Macbeth madness Malvolio Marlowe Marlowe's Measure for Measure Mercutio moral murder nature never Noble Kinsmen Olivia Othello outrageous parody passion perhaps Pericles personality play's poet Posthumus pragmatically Prince Prospero Richard Richard III role Roman Romeo Rosalind scene seems sense sexual Shake Shakespeare Shylock Sir John Sonnets speak speare speare's spirit stage sublime Tempest thee Thersites Theseus thou Timon Titus Andronicus tragedy transcends Troilus and Cressida Twelfth Night Ur-Hamlet Venice villain