The joyous birds, shrouded in cheerful shade, WILLIAM SHAKSPEARE. 1564-1616. MERCHANT OF VENICE. Act v., sc. i. Belmont Avenue to Portia’s House. Enter LORENZO and JESSICA. as this, In such a night In such a night In such a night In such a night In such a night In such a night Lor. How sweet the moonlight sleeps upon this bank! Enter Musicians. [Music. Jes. I am never merry when I hear sweet music. Lor. The reason is, your spirits are attentive; For do but note a wild and wanton herd, Or race of youthful and unhandled colts, Fetching mad bounds, bellowing, and neighing loud, Which is the hot condition of their blood; If they but hear, perchance, a trumpet sound, Or any air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turned to a modest gaze, By the sweet power of music: Therefore the poet Did feign that Orpheus drew trees, stones, and floods; Since nought so stockish, hard, and full of rage, But music for the time doth change his nature : The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted.-Mark the music, Enter PORTIA and NERISSA at a distance. candle. Ner. It is your music, madam, of the house. Por. Nothing is good, I see, without respect; Methinks it sounds much sweeter than by day. Ner. Silence bestows that virtue on it, madam. Por. The crow doth sing as sweetly as the lark When neither is attended ; and, I think, The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren. How many things by season season'd are To their right praise, and true perfection! Peace, hoa! the moon sleeps with Endymion, And would not be awaked! TROILUS AND CRESSIDA. Act iii., sc. ii. Pandarus' Orchard. Tro. Oh, that I thought it could be in a woman (As, if it can, I will presume in you) To feed for aye her lamps and flames of love; To keep her constancy in plight and youth, Outliving beauty's outward, with a mind That doth renew swifter than blood decays! Or that persuasion could but thus convince me, Cres. In that I'll war with you. Oh virtuous fight, Prophet may you be! If I be false, or swerve a hair from truth, When time is old and hath forgot itself, When water-drops have worn the stones of Troy, And blind oblivion swallow'd cities up, And mighty states characterless are grated To dusty nothing; yet let memory, From false to false, among false maids in love, Upbraid my falsehood! when they have said-as false As air, as water, wind, or sandy earth, As fox to lamb, as wolf to heifer's calf, Pard to the hind, or stepdame to her son ; Yea, let them say, to stick the heart of falsehood, As false as Cressid. |