Lectures on Rhetoric and Belles Lettres, Volume 3T. Cadell and W. Davies, 1812 - English language |
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Page 46
... seems never to have entered into his thoughts ; and as this was the bafis of the Scottish conftitution , his po- litical views are , of courfe , inaccurate and im- perfect . When he comes to the tranfactions of his own times , there is ...
... seems never to have entered into his thoughts ; and as this was the bafis of the Scottish conftitution , his po- litical views are , of courfe , inaccurate and im- perfect . When he comes to the tranfactions of his own times , there is ...
Page 141
... seems to have been at firft a relic of the Antient Co- medy , written partly in Profe , partly in Verse , and abounding with fcurrility . Ennius and Lu cilius corrected its groffnefs ; and , at laft , Horace brought it into that form ...
... seems to have been at firft a relic of the Antient Co- medy , written partly in Profe , partly in Verse , and abounding with fcurrility . Ennius and Lu cilius corrected its groffnefs ; and , at laft , Horace brought it into that form ...
Page 251
... seems to have been the Author's intention to keep it out of view , by the defultory manner in which the Poem is carried on , and the perpetual inter- ruptions of the feveral ftories before they are finished , Ariofto appears to have ...
... seems to have been the Author's intention to keep it out of view , by the defultory manner in which the Poem is carried on , and the perpetual inter- ruptions of the feveral ftories before they are finished , Ariofto appears to have ...
Page 257
... seem not congruous to the nature of Epic Poetry ; the object of which is to improve us by means of actions , characters , and sentiments , rather than by delivering profeffed and formal inftruction . SEVERAL of the Epic Poets have ...
... seem not congruous to the nature of Epic Poetry ; the object of which is to improve us by means of actions , characters , and sentiments , rather than by delivering profeffed and formal inftruction . SEVERAL of the Epic Poets have ...
Page 296
... seems neceffary to fet Modern Poets free from a ftrict obfervance of thefe Dra- matic Unities , yet we must remember there are certain bounds to this liberty . Frequent and wild changes of time and place ; hurrying the Spectator from ...
... seems neceffary to fet Modern Poets free from a ftrict obfervance of thefe Dra- matic Unities , yet we must remember there are certain bounds to this liberty . Frequent and wild changes of time and place ; hurrying the Spectator from ...
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Common terms and phrases
action Æneid againſt alfo antient arifes Author beautiful cenfure characters circumftances Comedy compofed Compofition confiderable confiftent converfation defcribed defcription difplay diftinct diftinguiſhed elegant Engliſh Epic Poem Epic Poetry Epiſodes Euripides expreffion expreffive faid fame fatire fcenes feems fentiments feveral fhall fhould fimple fimplicity firft firſt fituations fome fometimes fpecies fpirit ftate ftory ftrain ftrong fubject fublime fuch fufficient fuited fyllables genius give greateſt Greek Hero Hiftorian Hiftory higheſt himſelf Homer Iliad impreffion inftance inftruction interefting itſelf juft kind L E C laft LECT lefs Lyric Poetry manner meaſure moft moral moſt Mufic muft muſt narration nature neceffary obfervations objects occafions paffages paffed paffion Paftoral perfonages perfons philofophical pleafing pleaſe pleaſure Poet poetical poffefs prefent Profe racters raiſed reafon refpect reft render rife ſcenes ſhall Sophocles Style Taffo thefe themſelves Theocritus theſe thofe thoſe Thucydides tion Tragedy unity Verfe Verfification Verſe Virgil Voltaire Writing XLII XXXVIII
Popular passages
Page 321 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Page 150 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom...
Page 153 - Come with me from Lebanon, my spouse, with me from Lebanon : look from the top of Amana, from the top of Shenir and Hermon, from the lions' dens, from the mountains of the leopards.
Page 183 - That the triumphing of the wicked is short, and the joy of the hypocrite but for a moment? Though his excellency mount up to the heavens, and his head reach unto the clouds; Yet he shall perish for ever like his own dung: they which have seen him shall say, Where is he?
Page 157 - Clos'd o'er the head of your lov'd Lycidas? For neither were ye playing on the steep, Where your old Bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream: Ay me!
Page 322 - Admirable scenes and passages, without number, there are in his Plays ; passages beyond what are to be found in any other Dramatic Writer; but there is hardly any one of his Plays which can be called altogether a good one, or which can be read with uninterrupted pleasure from beginning to end. Besides...
Page 148 - He thinks in a peculiar train, and he thinks always as a man of genius; he looks round on Nature and on Life with the eye which Nature bestows only on a poet, the eye that distinguishes in...
Page 145 - But a true poet makes us imagine that we see it before our eyes : he catches the distinguishing features ; he gives it the colours of life and reality ; he places it in such a light that a painter could copy after him.
Page 3 - ... universal taste of mankind, proved and tried throughout the succession of so many ages. Imperfections in their works he may indeed point out; passages that are faulty he may show; for where is the human work that is perfect?
Page 115 - The fprightly Sylvia trips along the green, " She runs, but hopes fhe does not run unfeen ; " While a kind glance at her purfuer flies, " How much at variance are her feet and eyes !" There is nothing the writers of this kind of poetry are fonder of than defcriptions of paftoral Prefents.