The Speaker: Or, Miscellaneous Pieces, Selected from the Best English Writers, and Disposed Under Proper Heads, with a View to Facilitate the Improvement of Youth in Reading and Speaking. To which are Prefixed Two Essays |
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... in contempt and despite of all rule and propriety , are determined to command
the attention of the vulgar . These are the speakers , who , in Shakspeare's
phrase , “ offend the judicious hearer to the soul , by tearing a passion to rags , to
very ...
And in pathetic pieces , especially those of the plaintive , tender , or solemn kind ,
the tone of the passion will ofter require a still lower cadence of the voice . But
before a speaker can be able to fall his voice with propriety and judgment at the ...
Klccompany the Emotions and Passions which your words express , by
correspondent tones , looks and gestures . ... When anger , fear , joy , grief , love ,
or any other active passion arises in our minds , we naturally discover it by the
particular ...
... made with some success to analyse the language of ideas ; but the language
of sentiment and emotion has never yet been analysed ; and perhaps it is not
within the reách of human ability , to write a Philosophical Grammar of the
Passions .
... with distinct articulation , just emphasis , and proper tones , how can he expect
to do justice to the sublime descriptions of poetry , or the animated language of
the passions ? In performing these exercises the learner should daily read aloud
...
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This reader was initially published as a British reader, and then imported to America. According to Henry W. Simon, it was first published in America in Philadelphia in 1799. He was unaware of this second American printing. There is also another printing -- from New York in 1812 -- of which he too was unaware. Thus far, these are the only three American printings of which I am aware. In a visit to the Harvard archives, I noticed in their records that the Institute of 1770, an early literary society there, often read aloud from Enfield in their meetings in the 1770s and 1780s (though this would have been a British version of the text, not the American one depicted here).
joseph.p.haughey@gmail.com
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