Directing Actors: Creating Memorable Performances for Film and TelevisionThis is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors. -- From Amazon.com. |
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Page 14
... direction . Many directors have heard of result direction and been terrorized by warnings of its evils , but are not really sure what it is . Result - oriented direction attempts to shape the actor's perfor- mance by describing the ...
... direction . Many directors have heard of result direction and been terrorized by warnings of its evils , but are not really sure what it is . Result - oriented direction attempts to shape the actor's perfor- mance by describing the ...
Page 259
... direction is confusing or too elaborate . If an idea or direction doesn't work , take it on yourself . Say , “ I think we're on to something , but I don't think that idea of mine was enough to get us where we need to go . " Or , " I'm ...
... direction is confusing or too elaborate . If an idea or direction doesn't work , take it on yourself . Say , “ I think we're on to something , but I don't think that idea of mine was enough to get us where we need to go . " Or , " I'm ...
Page 285
... direction than " It's not angry enough . " 6 ) Don't use result direction . In rehearsal the actor has a chance to ponder a result direction and translate it into something playable , but on the set he doesn't have that time . In fact ...
... direction than " It's not angry enough . " 6 ) Don't use result direction . In rehearsal the actor has a chance to ponder a result direction and translate it into something playable , but on the set he doesn't have that time . In fact ...
Contents
RESULT DIRECTION AND QUICK FIXES | 13 |
MOMENT BY MOMENT | 49 |
LISTENING AND TALKING | 77 |
Copyright | |
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Other editions - View all
Directing Actors: Creating Memorable Performances for Film and Television Judith Weston No preview available - 2014 |
Directing Actors - 25th Anniversary Edition: Memorable Performances for Film ... Judith Weston Judith No preview available - 2021 |
Common terms and phrases
acter acting action verb actor needs actor playing actors and directors adjectives adjustment Adrian Lyne allow Angel Anthony Hopkins audience behavior believe camera casting char character character's choice comedy concentration connection create creative donut Elia Kazan emotional event energy example experience facts feel film Glenn Close happen Harvey Keitel hear ideas images improvise impulse intention Jessica Lange John Cassavetes John Travolta keep line readings listening look Major Beat Marlon Brando Martin Scorsese mean moment-by-moment movie objective performance person physical playable problem question reality Red Ryder rehearsal relationship result direction role Sanford Meisner scene script analysis sense of belief sensory shooting Sidney Lumet simple someone Sometimes specific spine stage directions Stella Adler Stephen story subtext subworld talk technique thing through-line tion transitions understand watching Woody Allen words writing wrong