Directing Actors: Creating Memorable Performances for Film and TelevisionThis is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors. -- From Amazon.com. |
From inside the book
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Page 16
... line reading , that is , telling the actor what inflection to give to a line . For the line " You always do that , " there are at least four different line readings ... readings make the line mean different things . What's wrong with giving ...
... line reading , that is , telling the actor what inflection to give to a line . For the line " You always do that , " there are at least four different line readings ... readings make the line mean different things . What's wrong with giving ...
Page 75
... line readings , then rehearsal is a very bad idea indeed . Most modern actors do not deliberately set line readings , but unless they apply craft deliberately not to set them , they may fall into them . All of us have a tendency to fit ...
... line readings , then rehearsal is a very bad idea indeed . Most modern actors do not deliberately set line readings , but unless they apply craft deliberately not to set them , they may fall into them . All of us have a tendency to fit ...
Page 76
... line read- ings or punctuation . Because once the line reading is set , if the actor attempts to give the line more ... readings is that they are so often accompa- nied by a superficial understanding of the line . Unless an actor commits ...
... line read- ings or punctuation . Because once the line reading is set , if the actor attempts to give the line more ... readings is that they are so often accompa- nied by a superficial understanding of the line . Unless an actor commits ...
Contents
RESULT DIRECTION AND QUICK FIXES | 13 |
MOMENT BY MOMENT | 49 |
LISTENING AND TALKING | 77 |
Copyright | |
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Other editions - View all
Directing Actors: Creating Memorable Performances for Film and Television Judith Weston No preview available - 2014 |
Directing Actors - 25th Anniversary Edition: Memorable Performances for Film ... Judith Weston Judith No preview available - 2021 |
Common terms and phrases
acter acting action verb actor needs actor playing actors and directors adjectives adjustment Adrian Lyne allow Angel Anthony Hopkins audience behavior believe camera casting char character character's choice comedy concentration connection create creative donut Elia Kazan emotional event energy example experience facts feel film Glenn Close happen Harvey Keitel hear ideas images improvise impulse intention Jessica Lange John Cassavetes John Travolta keep line readings listening look Major Beat Marlon Brando Martin Scorsese mean moment-by-moment movie objective performance person physical playable problem question reality Red Ryder rehearsal relationship result direction role Sanford Meisner scene script analysis sense of belief sensory shooting Sidney Lumet simple someone Sometimes specific spine stage directions Stella Adler Stephen story subtext subworld talk technique thing through-line tion transitions understand watching Woody Allen words writing wrong