Directing Actors: Creating Memorable Performances for Film and TelevisionThis is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors. -- From Amazon.com. |
From inside the book
Results 1-3 of 42
Page 30
... mind verbs , such as to like , to resent , to fear , are not necessarily any more helpful than adjectives . The ... mind , not something I do to someone else ; even " to believe in " someone , although there is an object , is still a ...
... mind verbs , such as to like , to resent , to fear , are not necessarily any more helpful than adjectives . The ... mind , not something I do to someone else ; even " to believe in " someone , although there is an object , is still a ...
Page 136
... mind while she's being told this is , What will I do with the dinner I've prepared if he will not be there to eat it ? The mind works in such incredible ways , especially when information is coming in that one can't deal with or accept ...
... mind while she's being told this is , What will I do with the dinner I've prepared if he will not be there to eat it ? The mind works in such incredible ways , especially when information is coming in that one can't deal with or accept ...
Page 190
... mind of the ideas you are coming up with ( you have notes so you don't have to remember them ) , so you can return to the beginner's mind that characterizes the First Read . You may be surprised at the ideas and questions that will come ...
... mind of the ideas you are coming up with ( you have notes so you don't have to remember them ) , so you can return to the beginner's mind that characterizes the First Read . You may be surprised at the ideas and questions that will come ...
Contents
RESULT DIRECTION AND QUICK FIXES | 13 |
MOMENT BY MOMENT | 49 |
LISTENING AND TALKING | 77 |
Copyright | |
9 other sections not shown
Other editions - View all
Directing Actors: Creating Memorable Performances for Film and Television Judith Weston No preview available - 2014 |
Directing Actors - 25th Anniversary Edition: Memorable Performances for Film ... Judith Weston Judith No preview available - 2021 |
Common terms and phrases
acter acting action verb actor needs actor playing actors and directors adjectives adjustment Adrian Lyne allow Angel Anthony Hopkins audience behavior believe camera casting char character character's choice comedy concentration connection create creative donut Elia Kazan emotional event energy example experience facts feel film Glenn Close happen Harvey Keitel hear ideas images improvise impulse intention Jessica Lange John Cassavetes John Travolta keep line readings listening look Major Beat Marlon Brando Martin Scorsese mean moment-by-moment movie objective performance person physical playable problem question reality Red Ryder rehearsal relationship result direction role Sanford Meisner scene script analysis sense of belief sensory shooting Sidney Lumet simple someone Sometimes specific spine stage directions Stella Adler Stephen story subtext subworld talk technique thing through-line tion transitions understand watching Woody Allen words writing wrong