Directing Actors: Creating Memorable Performances for Film and TelevisionThis is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors. -- From Amazon.com. |
From inside the book
Results 1-3 of 46
Page 45
... problem or task , their concentration can give the scene a sense of its emotional problem . A physical task takes the actor's concentration off the lines , because he lets the lines come out of the physical task . Concentration on the ...
... problem or task , their concentration can give the scene a sense of its emotional problem . A physical task takes the actor's concentration off the lines , because he lets the lines come out of the physical task . Concentration on the ...
Page 115
... problem . " The concept of " problem " incorporates the sense of need with a sense of obstacle . Concentration on a problem creates a sense of task , and keeps the actor's attention forward , not focused on whether he is doing the role ...
... problem . " The concept of " problem " incorporates the sense of need with a sense of obstacle . Concentration on a problem creates a sense of task , and keeps the actor's attention forward , not focused on whether he is doing the role ...
Page 212
... PROBLEM / THE OBSTACLE One thing you really want to watch out for is any inclination you might have to say that either Stephen or Angel is " just reacting " to the other one , or that either of them doesn't care what the other one ...
... PROBLEM / THE OBSTACLE One thing you really want to watch out for is any inclination you might have to say that either Stephen or Angel is " just reacting " to the other one , or that either of them doesn't care what the other one ...
Contents
RESULT DIRECTION AND QUICK FIXES | 13 |
MOMENT BY MOMENT | 49 |
LISTENING AND TALKING | 77 |
Copyright | |
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Other editions - View all
Directing Actors: Creating Memorable Performances for Film and Television Judith Weston No preview available - 2014 |
Directing Actors - 25th Anniversary Edition: Memorable Performances for Film ... Judith Weston Judith No preview available - 2021 |
Common terms and phrases
acter acting action verb actor needs actor playing actors and directors adjectives adjustment Adrian Lyne allow Angel Anthony Hopkins audience behavior believe camera casting char character character's choice comedy concentration connection create creative donut Elia Kazan emotional event energy example experience facts feel film Glenn Close happen Harvey Keitel hear ideas images improvise impulse intention Jessica Lange John Cassavetes John Travolta keep line readings listening look Major Beat Marlon Brando Martin Scorsese mean moment-by-moment movie objective performance person physical playable problem question reality Red Ryder rehearsal relationship result direction role Sanford Meisner scene script analysis sense of belief sensory shooting Sidney Lumet simple someone Sometimes specific spine stage directions Stella Adler Stephen story subtext subworld talk technique thing through-line tion transitions understand watching Woody Allen words writing wrong