Directing Actors: Creating Memorable Performances for Film and TelevisionThis is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors. -- From Amazon.com. |
From inside the book
Results 1-3 of 78
Page 84
... tell you that in order to get the two - shot you want , the actors ' eye- lines will need to be elsewhere than looking at each other . I'm not saying that you should block every scene so that the actors are always looking at each other ...
... tell you that in order to get the two - shot you want , the actors ' eye- lines will need to be elsewhere than looking at each other . I'm not saying that you should block every scene so that the actors are always looking at each other ...
Page 120
... tell her that she woke up in a hospital two days ago and the people there have been telling her she was in a coma for two weeks . I tell her she may or may not remember what caused her coma , that's for her to choose . I tell her that ...
... tell her that she woke up in a hospital two days ago and the people there have been telling her she was in a coma for two weeks . I tell her she may or may not remember what caused her coma , that's for her to choose . I tell her that ...
Page 250
... Tell them your priorities . Tell them how you plan to work in rehearsal . Let them know that you want to hear all their ideas and problems , and specifically , that if they have any ideas or problems related to another actor's ...
... Tell them your priorities . Tell them how you plan to work in rehearsal . Let them know that you want to hear all their ideas and problems , and specifically , that if they have any ideas or problems related to another actor's ...
Contents
RESULT DIRECTION AND QUICK FIXES | 13 |
MOMENT BY MOMENT | 49 |
LISTENING AND TALKING | 77 |
Copyright | |
9 other sections not shown
Other editions - View all
Directing Actors: Creating Memorable Performances for Film and Television Judith Weston No preview available - 2014 |
Directing Actors - 25th Anniversary Edition: Memorable Performances for Film ... Judith Weston Judith No preview available - 2021 |
Common terms and phrases
acter acting action verb actor needs actor playing actors and directors adjectives adjustment Adrian Lyne allow Angel Anthony Hopkins audience behavior believe camera casting char character character's choice comedy concentration connection create creative donut Elia Kazan emotional event energy example experience facts feel film Glenn Close happen Harvey Keitel hear ideas images improvise impulse intention Jessica Lange John Cassavetes John Travolta keep line readings listening look Major Beat Marlon Brando Martin Scorsese mean moment-by-moment movie objective performance person physical playable problem question reality Red Ryder rehearsal relationship result direction role Sanford Meisner scene script analysis sense of belief sensory shooting Sidney Lumet simple someone Sometimes specific spine stage directions Stella Adler Stephen story subtext subworld talk technique thing through-line tion transitions understand watching Woody Allen words writing wrong