| English literature - 1833 - 554 pages
...anecdote of the first rehearsal : — " Mozart was on the stage with his crimson pelisse and gold laced cocked hat, giving the time of the music to the orchestra. Figaro's song, ' Non piu andrai far fallone amoroso,' Bennuci gave with the greatest animation, and power of voice. I was standing... | |
| Music - 1825 - 590 pages
...of pleasure to me, to have been the first who heard it, and to have sung it with its greatly gifted composer. I remember at the first rehearsal of the...Figaro's song, ' Non piu andrai farfallone amoroso,' Benuci gave, with the greatest animation, and power of voice. " I was standing close to Mozart, who,... | |
| 1825 - 508 pages
...of pleasure to me, to have been the first who heaid it, and to have sung it with its greatly gifted composer. I remember at the first rehearsal of the...of the music to the orchestra. Figaro's song, " Non pii andrai, larfallone amoroso," Bennuci gave with the greatest animation, and power of voice. ' I... | |
| Literature - 1825 - 620 pages
...of pleasure to me, to have been the first who heard it, and to have sung it with its greatly gifted composer. I remember, at the first rehearsal of the...giving the time of the music to the orchestra. Figaro's soog, " Non pii'i andrai, farfallone amoroso," Bennuci gave with the greatest animation and power of... | |
| 1825 - 648 pages
...pleasure to me, to have been the first who heard it, • nd to have sung it with its greatly gifted composer. I remember, at the first rehearsal of the...Mozart was on the stage with his crimson pelisse and pold-laced cock«! hat, giving the time of the music to the orchestra. Figaro's song, '• Non pill... | |
| Michael Kelly, Theodore Edward Hook - Actors - 1826 - 384 pages
...triumph over his rivalg,~ Of all the performers in this opera at that time, but one survives,—myself. It was allowed that never was opera stronger cast....of the music to the orchestra. Figaro's song, " Non pid andrai, farfallone amoroso," Bennuci gave, with the greatest animation and power of voice. I was... | |
| 1827 - 602 pages
...noise were made, he instantly left off. I remember at the first rehearsal (of the Nozze di Figaro) of the full band, Mozart was on the stage with his...time of the music to the orchestra. Figaro's song, ' Nnn pin andrai,farfattone amoroso,' Bennuci gave with the greatest animation and power of voice.... | |
| New York (N.Y.) - 1840 - 818 pages
...Figaro,' to be put instantly «l» rehearsal. At the first rehearsal of the full band, Mourt was OB the stage with his crimson pelisse and gold-laced cocked hat, giving the time of the music ta too orchestra. Figaro's song, ' ffmpiu andraifarfoUone amoroso' Bennuci (m with the greatest animation... | |
| George Hogarth - Opera - 1851 - 400 pages
...of pleasure to me to have been the first who heard it, and to have sung it with its greatly gifted composer. I remember, at the first rehearsal of the...the music to the orchestra. Figaro's song, ' Non piu * Reminiscences of Michael Kelly, 1825. andrai, farfallone amoroso,' Benuci gave with the greatest... | |
| George Hogarth - Opera - 1851 - 396 pages
...of pleasure to me to have been the first who heard it, and to have sung it with its greatly gifted composer. I remember, at the first rehearsal of the...of the music to the orchestra. Figaro's song, ' Non pid * Reminiscences of Michael Kelly, 1825. andrai, farfallone amoroso,' Benuci gave with the greatest... | |
| |