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Old-Time Newfoundland. By His Honour Judge Prowse
Old Woman of Wesel (The). By the Rev. S. Baring-Gould
On Weighing Atoms. By W. A. Shenstone, F.R.S.

Palamedes: The Deserted Village

Parry, His Honour Judge: A Welsh Rector of the last Century.
Pember, E. H., K.C.: Debita Flacco

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Plea for the Useless (A). By W. H. D. Rouse, Litt.D.

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Port Arthur, its Siege and Fall: a Contemporary Epic. By Richard
Barry

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Prowse, His Honour Judge: Old-Time Newfoundland

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Rainsford, W. H.: The Two Hares

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Redistribution of the Fleet (The). By Admiral Sir Cyprian Bridge,

G.C.B.

598

Reprints and their Readers. By Joseph Shaylor.

Rhodes Scholar from Germany on Oxford (A). By Hans E. von
Lindeiner-Wildau.

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Ritchie, Mrs. Richmond: Blackstick Papers, No. 10
Rock Garden (The). By Leonard Huxley

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Rose of the World. By Agnes and Egerton Castle 14, 145, 289, 433, 577, 721
Rouse, W. H. D., Litt.D.: A Plea for the Useless
Russian Napoleon (A). By Maurice Church

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Schools and Colleges: a Dialogue. By Magister Artium
Sea-Painting and Sea-Myth. By Arthur F. Wallis
Second Mate (The). By Perceval Gibbon
Shand, Alexander Innes: Gastronomic Divagations
Shaylor, Joseph: Reprints and their Readers
Shenstone, W. A., F.R.S.: Weighing a World

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Sidgwick, Frank: When my Ship comes in

Soldier and the Plague (The). By Walter Frith .

Some Causes of the Japanese Victories. By F. H. E. Cunliffe
Some Recollections of Active Service. By Major-General T. Maun-
sell, C.B..

Special Police Courts for Children. By Mrs. Henrietta O. Barnett
Spur and Spear. By Venour Davidson

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Tercentenary of 'Don Quixote' (The). By Austin Dobson
Two Hares (The). By W. H. Rainsford

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ON one of the landings of the staircase of the National Gallery, at the entrance of the rooms devoted to British Art, hangs a picture by Gainsborough representing a family group. It is painted with all the full and harmonious sense of colour for which that painter is remarkable, and, besides its artistic merits, the charming composition reproduces that individual personality which Gainsborough seized so wonderfully at times, and which the greatest painters only can convey to us, in some unexplained and yet undeniable manner.

The family is that of Mr. James Baillie, who was a younger son of the Baillies of Dochfour, and the picture must have been painted in the last years of the eighteenth century. It is, in truth, a charming composition; and original too, even though the usual garden background is there and the well-known curtain hangs from the marble column. The father, in the dress of the period, with wig and with knee-breeches, stands stately and well-proportioned upon a step; at his right sits the mother of the family, with her youngest child on her knee and the others clustering round her. Mrs. Baillie is not handsome, but looks, nevertheless, imposing and attractive. She sits in some dignity, dressed in her handsome fringed robes, with a satin shoe appearing from beneath the ample skirts.

Copyright, 1905, by Mrs. Richmond Ritchie, in the United States of America. VOL. XVIII.-NO. 103, N.S.

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