Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 12
... thought he was going to do it . He wouldn't tell me for a long time . Finally he explained , " Well , you'll laugh , but I'll tell you . I didn't know how to do it when I first came to rehearse it because -well , let's face it , I've ...
... thought he was going to do it . He wouldn't tell me for a long time . Finally he explained , " Well , you'll laugh , but I'll tell you . I didn't know how to do it when I first came to rehearse it because -well , let's face it , I've ...
Page 24
... thought it over very carefully , several times resolving to skip this evening entirely , and I've decided it is the only way to keep what I'm going to say in all these eight talks from once again becoming general or , worse , mysterious ...
... thought it over very carefully , several times resolving to skip this evening entirely , and I've decided it is the only way to keep what I'm going to say in all these eight talks from once again becoming general or , worse , mysterious ...
Page 59
... thought of together , there is a sepa- ration of thirteen years in the publishing dates . I wonder how many hangovers there are now of what was thought about , taught and studied during those thirteen years . I must say that in the ...
... thought of together , there is a sepa- ration of thirteen years in the publishing dates . I wonder how many hangovers there are now of what was thought about , taught and studied during those thirteen years . I must say that in the ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character CALIFORNIA called chart costume create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological realistic rehearsal remember rhythm Sakini Salvini SAN DIEGO scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini truth understand UNIVERSITY voice walking week whole play words