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THE

HOUSEHOLD OF

SIR THOS MORE

WITH AN INTRODUCTION BY

THE REV. W. H. HUTTON, B.D.
FELLOW OF S. JOHN'S COLLEGE, OXFORD

AND TWENTY-FIVE ILLUSTRATIONS
BY JOHN JELLICOE AND
HERBERT RAILTON

LONDON

JOHN C. NIMMO

NEW YORK: CHARLES SCRIBNER'S SONS

MDCCCXCIX

Illumined by C.C.B.

Printed by Ballantyne, HANSON & Co.
At the Ballantyne Press

MAY 9 1949

GRAHAM

823 M316h 1899

LIST OF ILLUSTRATIONS

From Drawings by JOHN JELLICOE and HERBERT Railton.

"ANON WE SIT DOWN TO REST AND TALK."

Drawn by JOHN JELLICOE and HERBERT RAILTON Frontispiece

TITLE-PAGE.

Designed by HERBERT RAILTON

MOTTO OF MARGARET MORE.
Designed by HERBERT RAILTON

SIR THOMAS MORE'S HOUSE.
Drawn by HERBERT RAILTON

ERASMUS AND THE PEACOCKS.
Drawn by JOHN JELLICOE.

JACK AND CECY.

Drawn by JOHN JELLICOE.

MORE IN THE BARROW.

Drawn by JOHN JELLICOE.

MARGARET IN THE TREE.

Drawn by JOHN JELLICOE.

"I NOTICED ARGUS PEARCHT."

Drawn by HERBERT RAILTON

GAMMER GURNEY.

Drawn by JOHN JELLICOE.

MORE READING WYNKYN DE WORDE.

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Drawn by JOHN JELLICOE and HERBERT RAILTON To face 70

THE JEW.

Drawn by JOHN JELLICOE.

76

Dales Lich Add 21 Mar 49 Frede

vii

viii

List of Illustrations

PAGE

THE CARDINAL'S PROCESSION.

Drawn by JOHN JELLICOE.

"I FELL INTO DISGRACE FOR HOLDING SPEECH

WITH MERCY OVER THE Pales."

87

Drawn by JOHN JELLICOE and HERBERT RAILTON To face 110 "LORD SANDS SANG US A NEW BALLAD.”

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Drawn by JOHN JELLICOE and HERBERT RAILTON To face 142 "SHE COMETH HITHER FROM HEVER CASTLE."

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"AND SAYTH, LOW BOWING AS HE SPOKE, 'MADAM, MY LORD IS GONE.'"

Drawn by JOHN JELLICOE and Herbert RailtTON To face 172

"IN COMETH A PURSUIVANT."

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Drawn by JOHN JELLICOE and Herbert RailTON To face 220

GILLIAN AND THE FLOUR SACKS.

Drawn by JOHN JELLICOE.

MORE RETURNING FROM HIS TRIAL.

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237

To face 258

To face 262

"NOR LOOKT I UP TILL ANEATH THE BRIDGE-GATE.”

Drawn by HErbert RailtON

Introduction

T is not always from the closest and most accurate historian that we receive the truest picture of an age or of a character. The artist gives a more real picture than the photographer; and it needs imagination and sympathy, as well as labour and research, to make a hero of old time live again to-day. The minutest investigation will hardly better the vivid reality of Scott's James I. or Charles II., or portray more truly than Mr. Shorthouse has done the fragile yet fascinating personality of Charles I. Yet to say this is not to

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