Directors on Directing: A Source Book of the Modern Theater
Less than 200 years ago the director was only an "ideal" projected by disgruntled critics. Today, productions wouldn't be able to survive with our the adept talents of the director. This book has been known for years as the guide to the "unknown theater" of the director. This collection is comprised of the voices of the modern theater as they state their credos and explore their craft. Topics include: the emergence of the director; behind the fourth wall; the art of rehearsal; light and space; and much more. Directors and avid theater-buffs.
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This objective is not final. It indicates for the moment the necessary direction, not
far from the truth, yet not the truth itself which will emerge from the study of the
role in one's self and one's self in the role. SAKHNOVSKY: And when will through
You know that the super-objective is somewhere up there in the airless space.
Presently you pass around the circle and determine the center. In the final
analysis you must explore what constitutes the center, the essence, the soul of
your role ...
... it as a igig German operetta, nor do I approve of the most beautiful invention in
The Win ter's Tale, that of the statue coming down from the pedestal in the final
scene, being arbitrarily changed by the director to a reclining figure on a tomb.
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Z VISIQN AND METHOD
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