Directors on Directing: A Source Book of the Modern Theater
Less than 200 years ago the director was only an "ideal" projected by disgruntled critics. Today, productions wouldn't be able to survive with our the adept talents of the director. This book has been known for years as the guide to the "unknown theater" of the director. This collection is comprised of the voices of the modern theater as they state their credos and explore their craft. Topics include: the emergence of the director; behind the fourth wall; the art of rehearsal; light and space; and much more. Directors and avid theater-buffs.
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In Vassilisa, because she is anxious to go through to the end with what she has
started to say. In Pepel, because he is unnerved and irritable. PI-IPEL: So that's
over. We part peaceably, without a row—as it should be! Pepel gets up. Vassilisa
PEPEL: You spin your yarn cleverly . . . VAsSILISA: Everything I say is true. Only
a fool could be as blind as you. (Kostilyofl enters quietly and stealthily moves
forward.) The audience must not notice where Kostilyoff appears from. It seems
Pepel is holding on to the door, his fingers gripping it tensely. He can hardly
control his temper. Pepel makes a move as though to pounce on Kostilyolf.
Vassilisa's eyes are riveted on Pepel. They seem to goad him on to murder. An
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