Directors on Directing: A Source Book of the Modern Theater
Less than 200 years ago the director was only an "ideal" projected by disgruntled critics. Today, productions wouldn't be able to survive with our the adept talents of the director. This book has been known for years as the guide to the "unknown theater" of the director. This collection is comprised of the voices of the modern theater as they state their credos and explore their craft. Topics include: the emergence of the director; behind the fourth wall; the art of rehearsal; light and space; and much more. Directors and avid theater-buffs.
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VASSILISA (calling from Pepel's room): Vaska, come here! PEPEL1 I won t come
—I don't want to. . . . VAssILISA: + Why? +1 Vassilisa appears at the door. Opens
it a bit. Pepel continues to pace in a lumbering fashion. The fact that Pepel is ...
VASSILISA: Never mind the past! I know—no man owns his own heart—you don't
love me any longer . . . well and good, it can't be helped! There is an obvious rise
in temper and tension in both of them. In Vassilisa, because she is anxious to ...
VAsSILISA: Everything I say is true. Only a fool could be as blind as you. (
Kostilyofl enters quietly and stealthily moves forward.) The audience must not
notice where Kostilyoff appears from. It seems as though he materialized out of
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Z VISIQN AND METHOD
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