Directors on Directing: A Source Book of the Modern Theater
Less than 200 years ago the director was only an "ideal" projected by disgruntled critics. Today, productions wouldn't be able to survive with our the adept talents of the director. This book has been known for years as the guide to the "unknown theater" of the director. This collection is comprised of the voices of the modern theater as they state their credos and explore their craft. Topics include: the emergence of the director; behind the fourth wall; the art of rehearsal; light and space; and much more. Directors and avid theater-buffs.
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And if we look away from Siegfried for a moment and raise our eyes, the stage
picture does not of necessity have to give us an illusion: the way it is arranged
l1as only Siegfried in mind; and when a slight rustling of the trees in the forest
He is frightened by his own screams and Pepel's look. Pepel's fingers tighten
their grip on the door. Both men breathe in rapid, loud gusts. Kostilyoff attempting
to calm himself and also out of fear of Pepel, begins to back away. Now he stands
Bl-ICKER: Pfeifer too? All the weavers, not violently but with repressed ennotion.
quickly call out: "Get Peifer! Look for Pfeifer!" Some of the weavers hastily exit
right with Becker. On stage are Old Baumert, who is drinking coffee, Moritz jaeger
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Z VISIQN AND METHOD
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