Communicating Vessels

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University of Nebraska Press, 1990 - Literary Criticism - 159 pages
"This book is of tremendous importance for an understanding of modernism, and makes clear that Breton is a central figure of the twentieth century."-San Francisco Chronicle. What Freud did for dreams, Andri Breton (1896-1966) does for despair: in its distortions he finds the marvelous, and through the marvelous the redemptive force of imagination. Originally published in 1932 in France, Les Vases communicants is an effort to show how the discoveries and techniques of surrealism could lead to recovery from despondency. This English translation makes available "the theories upon which the whole edifice of surrealism, as Breton conceived it, is based." In Communicating Vessels Breton lays out the problems of everyday experience and of intellect. His involvement with political thought and action led him to write about the relations between nations and individuals in a mode that moves from the quotidian to the lyrical. His dreams triggered a curious correspondence with Freud, available only in this book. As Caws writes, "The whole history of surrealism is here, in these pages." Mary Ann Caws is Distinguished Professor of French, English, and Comparative Literature at the Graduate School of the City University of New York. Her translation of Breton's Mad Love is also available as a Bison Book. Geoffrey T. Harris is a senior lecturer on modern languages at the University of Salford in England.

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About the author (1990)

Andre Breton was born in Normandy, France on 19, 1896 and died on September 28, 1966. Breton was a poet, novelist, philosophical essayist, and art critic. He is considered to be the father of surrealism. From World War I to the 1940s, Breton was at the forefront of the numerous avant-garde activities that centered in Paris. Breton's influence on the art and literature of the twentieth century has been enormous. Picasso, Derain, Magritte, Giacometti, Cocteau, Eluard, and Gracq are among the many whose work was affected by his thinking. From 1927 to 1933, Breton was a member of the Communist party, but thereafter he opposed communism. His writings include the first Surrealist Manifesto (Manifeste du surréalisme) of 1924, in which he defined surrealism as "pure psychic automatism". He also wrote Nadja in 1928. Breton died in 1966 at 70 and was buried in the Cimetière des Batignolles in Paris.

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