The Proper Study: Essays on Western Classics |
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Page 132
... stage at certain moments , and takes no part in the action ; ( 2 ) the intermediate , for instance Mephistophilis , who ought to be symbolic , but treads the lower stage , a cowled enigma , horrible because at moments he ceases to be ...
... stage at certain moments , and takes no part in the action ; ( 2 ) the intermediate , for instance Mephistophilis , who ought to be symbolic , but treads the lower stage , a cowled enigma , horrible because at moments he ceases to be ...
Page 353
... stage house back through street pageantry to painting and to the architecture of tombs and altars ; and thence to the arcade screen of the Greek tragic theater itself . " More than an arrangement of side doors and inner and upper stages ...
... stage house back through street pageantry to painting and to the architecture of tombs and altars ; and thence to the arcade screen of the Greek tragic theater itself . " More than an arrangement of side doors and inner and upper stages ...
Page 548
... stage where the disorder brought about in the first stage is enveloped by the created personality of Raskolnikov . Actually , the two processes go on at once , in the sense that no matter how far into the second stage Dostoevsky leads ...
... stage where the disorder brought about in the first stage is enveloped by the created personality of Raskolnikov . Actually , the two processes go on at once , in the sense that no matter how far into the second stage Dostoevsky leads ...
Contents
HOMER The Iliad or The Poem of Force | 3 |
AESCHYLUS Introduction to the Oresteia | 51 |
Sophocles | 78 |
Copyright | |
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The Proper Study: Essays on Western Classics Quentin Anderson,Joseph Anthony Mazzeo No preview available - 1962 |
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