Modern Painters, Volume 3Smith, Elder, 1872 - Aesthetics |
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Page ix
... follows them may avoid their slips , and be their companion in attainment . Although , therefore , it is not possible but that , in the discussion of so many subjects as are necessarily intro- duced in the following pages , here and ...
... follows them may avoid their slips , and be their companion in attainment . Although , therefore , it is not possible but that , in the discussion of so many subjects as are necessarily intro- duced in the following pages , here and ...
Page xi
... follow a chamois hunter by the help of crutches , as to follow , by the help of syllogism , a person who has the right use of his reason . I should not , however , have thought it necessary to allude to this common charge against my ...
... follow a chamois hunter by the help of crutches , as to follow , by the help of syllogism , a person who has the right use of his reason . I should not , however , have thought it necessary to allude to this common charge against my ...
Page 2
... follow out , in any by - ways that may open , on right hand or left , whatever question it seems useful at any moment to settle . And , in the outset , I find myself met by one which I ought to $ 4 . have touched upon before - one of 2 ...
... follow out , in any by - ways that may open , on right hand or left , whatever question it seems useful at any moment to settle . And , in the outset , I find myself met by one which I ought to $ 4 . have touched upon before - one of 2 ...
Page 6
... follows that they are necessarily those of weak or foolish men . We observe , however , farther , that the imitation which Reynolds supposes to be characteristic of the Dutch School is that which gives to objects such relief that they ...
... follows that they are necessarily those of weak or foolish men . We observe , however , farther , that the imitation which Reynolds supposes to be characteristic of the Dutch School is that which gives to objects such relief that they ...
Page 27
... follow great art , without knowing ourselves what greatness is ; and yet the feeling that it verily is something , and that there are depths and breadths , shallows and narrows , in the matter , is all that we have to look to , if we ...
... follow great art , without knowing ourselves what greatness is ; and yet the feeling that it verily is something , and that there are depths and breadths , shallows and narrows , in the matter , is all that we have to look to , if we ...
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Common terms and phrases
admiration Apennine Aristophanes artist asphodel meadows beauty believe blue chapter character Claude clouds colour Correggio Dante Dante's dark delicate delight divine drawing effect emotion endeavour engraving evil expression exquisite fact fallacy false farther feeling finish flowers give grass Greek grey griffin grotesque heart high art hills Homer human idea ideal ideal art imagination imitation infinite instance instinct kind landscape less light Lombardic look Malebolge Masaccio matter means medieval merely mind modern Molière mountain nature never noble observe painter painting passage passion pathetic fallacy Paul Veronese perfect persons picture Plate pleasure poet poetical poetry possible Pre-Raphaelite present principles Purgatory racter reader represented respecting rocks scene scenery Scott seems seen sense shadow simple speak spirit Stones of Venice suppose sweet things thought Titian trees true truth Turner uncon vulgar whole word Wordsworth
Popular passages
Page 294 - Sound needed none, Nor any voice of joy ; his spirit drank The spectacle : sensation, soul, and form All melted into him ; they swallowed up His animal being ; in them did he live, And by them did he live ; they were his life. In such access of mind, in such high hour Of visitation from the living God, Thought was not ; in enjoyment it expired.
Page 290 - Fear and trembling Hope, Silence and Foresight; Death the Skeleton And Time the Shadow ; — there to celebrate, As in a natural temple scattered o'er With altars undisturbed of mossy stone, United worship ; or in mute repose To lie, and listen to the mountain flood Murmuring from Glaramara's inmost caves.
Page 268 - I find this conclusion more impressed upon me, — that the greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, — all in one.
Page 100 - And the word of the Lord came unto me the second time, saying, What seest thou ? And I said, I see a seething pot; and the face thereof is toward the north. Then the Lord said unto me, Out of the north an evil shall break forth upon all the inhabitants of the land.
Page 266 - Sir Isaac Newton knows that he has worked out a problem or two that would have puzzled anybody else, — only they do not expect their fellowmen therefore to fall down and worship them; they have a curious under-sense of powerlessness, feeling that the greatness is not in them, but through them; that they could not do or be anything else than God made them. And they see something Divine and God-made in every other man they meet, and are endlessly, foolishly, incredibly merciful.
Page 204 - At length the freshening western blast Aside the shroud of battle cast; And first the ridge of mingled spears Above the brightening cloud appears, And in the smoke the pennons flew, As in the storm the white seamew. Then marked they, dashing broad and far, The broken billows of the war, And plumed crests of chieftains brave Floating like foam upon the wave...
Page 282 - The mountain-shadows on her breast Were neither broken nor at rest ; In bright uncertainty they lie, Like future joys to Fancy's eye.
Page 280 - Piled deep and massy, close and high, Mine own romantic town ! But northward far, with purer blaze, On Ochil mountains fell the rays, And as each heathy top they kiss'd, It gleam'da purple amethyst.
Page 167 - Note, here, the high poetical truth carried to the extreme. The poet has to speak of the earth in sadness, but he will not let that sadness affect or change his thoughts of it. No ; though Castor and Pollux be dead, yet the earth is our mother still, fruitful, life-giving.
Page 14 - What I have had under consideration is the sublimest style, particularly that of Michael Angelo, the Homer of painting. Other kinds may admit of this naturalness, which of the lowest kind is the chief merit ; but in painting, as in poetry, the highest style has the least of common nature.