The Art of Genes: How Organisms Make Themselves

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OUP Oxford, Mar 4, 1999 - Science - 396 pages
'Coen's book is spiced with historic quotations and examples of plants' and animals' intriguing behaviour contains a wealth of interesting material Coen communicates his immense learning with a hundred appealing tales' Max Perutz How is a tiny fertilised egg able to turn itself into a human being? How can an acorn transform itself into an oak tree? Over the past twenty years there has been a revolution in biology. For the first time we have begun to understand how organisms make themselves. The Art of Genes gives an account of these new and exciting findings, and of their broader significance for how we view ourselves. Through a highly original synthesis of science and art, Enrico Coen vividly describes this revolution in our understanding of how plants and animals develop. Drawing on a wide range of examples–from flowers growing petals instead of sex organs, and flies that develop an extra pair of wings, to works of art by Leonardo and Magritte–he explains in lively, accessible prose the language and meaning of genes. 'I would have loved this book at 16, and so should anyone–aged 16 to 60–who really wants to understand development.' John Maynard Smith, Nature
 

Contents

1 Painting a picture
1
2 Copying and creating
16
3 A question of interpretation
39
4 A case of mistaken identity
55
5 The internal world of colour
79
6 Evolution of locks and keys
97
7 The hidden skeleton
106
8 The expanding canvas
131
13 Elaborating on asymmetry
230
14 Beneath the surface
258
15 Themes and variations
280
16 Shifting forms
304
17 The story of colour
323
18 The art of Heath Robinson
343
Sources of quotations
363
Bibliography
367

9 Refining a pattern
144
10 Creative reproduction
173
11 Scents and sensitivities
181
12 Responding to the environment
207
Glossary
373
Figure acknowledgements
378
Index
379
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About the author (1999)

Research Scientist in Genetics Department, John Innes Centre, Norwich. Made honorary Professor in Biology at University of East Anglia, 1997. Fellow of Royal Society (1998), Fellow of Linnean Society (1997). Awards: Science for Art Prize; EMBO Medal (1996), Linnean Gold Medal (1997).

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