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niture are of the most primitive character. | calumet of the American Indians. It is

A spoon, a pan, and a rude kettle for cooking the frugal meal, occupy but little room, and are easily transported from place to place. Chairs and tables are articles of luxury not often found in their humble dwellings. The use of knives and forks does not belong to their politeness, or supersede the purpose of the fingers and teeth; and these simple children of nature, in whom want appears to be productive of happiness, and vicissitude merriness of heart, sleep sweetly upon the naked bosom of their mother earth. To these must be added the few implements with which the gipsy pursues his particular craft: the bungling apparatus of the gold-washer; the miniature anvil and bellows of the smith; and the rude musical instruments of the wandering minstrel. The pipe is, however, the principal household god, as their love of tobacco is exceeded only by their love of alcohol and idleness.

The gipsy pipe is made of wood, short, for the more complete enjoyment, and is passed from mouth to mouth, like the

valued according to its age and strength, and is ultimately broken up and eaten as the greatest of delicacies. The gipsies also consume their own smoke, without the compulsion of municipal regulations.

Bread is not often baked among them, since that which is stolen, or begged, is considered superior to the home manufacture. The gipsy wife has a love of oriental ease; she winds her rags around her after the manner of the Orientals; when she bakes bread it is done upon expiring embers, as in the remote East; and, although it be her only article of furniture, she retains the eastern custom of preserving a single cup, which is not unfrequently of silver. This descends from family to family, and when not in use is generally buried for greater security. I have also frequently seen gold ducats dangling upon the naked breasts of these halfclothed barbarians.

The gipsies have their music, their songs, and dances. The wandering minstrels, for they are known as such, possess

He is a born virtuoso. Without the slightest comprehension of musical notes, he can execute a sonet of Mozart, or a symphony of Beethoven, with wonderful tact and precision after having heard the same but once.

a marvelous flexibility of spirit, united frequently with astonishing power of imitation and richness of voice. Discordant sounds intermingling with gushes of melody, halting measures, wild and original variations-these are the elements of gipsy music, and produce astonishing effects. There is something in the music of the gipsies expressive of the melancholy temperament peculiar to the race. But under excitement there is an incoherence of manner and wildness of expression equally characteristic. Music is to the gipsies a source both of pleasure and of profit. gipsy music render it peculiarly applica

A single gipsy performer is able to set an entire village in motion with his fiddle bow. In the Orient bands of gipseys wander from village to village, visiting even the camps of the roving Bedouins for the purpose of making music.

The great simplicity and flexibility of

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ble to the dance. This is especially the case in Hungary and Poland. The rustic gipsy band is called in requisition at every festival, and enlivens the pleasures of every holiday. One often sees the tears coursing down their sunburnt cheeks during the execution of some favorite air. "Call the gipsies," is a common saying in Russia, when society is becoming tedious, and entertainment is wanted. Russian officers are quite as distinguished for their achievements in the ball-room as in the fortress and the camp. During their nu

merous visits to Wallachia and Moldavia they have always preferred, for the dance, the music of the gipsy bands of Bucharest and Jassy to that of the superior bands connected with the Russian army. The appearance of a corps of these wandering minstrels at a Wallachian village is the signal for a dance and general oblivion of business and pleasure, save that connected with tripping" the light fantastic toe." In Bucharest one is constantly beset by naked gipsy children crying, "Give me, O give me a para, and I will sing you a tiaña."

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The gipsies, like the Hindoos, prefer In the Danubian stringed instruments. Principalities they use the cobza, which has nine strings, and resembles the mandolin, the naïn, and the tamborine.

They are also masters of the violin, and perform with great excellence upon the moskolu, the syrinx of the ancients. This instrument consists of seven reeds arranged side by side, and is of great compass in the hands of a skillful performer. The brother of the Shah of Persia was sent as embassador to Napoleon I. in 1810, and on his journey home he spent some time at Jassy, the capital of Moldavia.

The instrument referred to has been in use in Persia for centuries; but the embassador was surprised to find it infinitely more powerful in the hands of the uncultivated gipsies of Moldavia.

It is an ancient maxim that those who cross the sea change their clime, but not their character; yet the gipsies, suffering themselves to be baptized among Christians and circumcised among Mohammedans, holding themselves to be Catholics, Greeks, and Protestants, according as they live among the votaries of these sects, appear to change their religion with the same facility as their dwelling place. Though outcasts from society they cannot altogether dispense with religion, or rather with the profession thereof, it being for them a coat of many colors, to be worn as occasion may require.

While the gipsies have been thought by some to acknowledge the authority of a king, whose court is unknown, but whose dominions are wider than those of spiritual Rome, others have with more reason supposed them to cherish a secret faith of their own as a bond of union.

What the

religion of the gipsies properly may be is hard to determine. It is most likely a species of fire worship, the most ancient religion of India.

The children of Roma do not appear to believe in the resurrection to a future life. "We have been miserable enough in this life," say they, "why should we live again." Toppelten relates that one of the more civilized gipsies in Transylvania resolved to send his son to school. Permission was granted, but the child soon after died. The relatives applied to the magistrates and the clergy to give him Christian burial, he having been a student at the time of his death. On that occa

sion the priest asked them whether they
believed the deceased would rise again at
the latter day.

"Strange idea," they answered, "to believe that a carcass, a lifeless corpse, should be reanimated and rise again! In our opinion it would be no more likely to happen to him than to the horse we flayed a few days ago."

Yet the gipsies do not believe that death is an absolute destruction. They maintain that the body will again enrich the earth, and the spirit vivify the air. An idea of the metempsychosis, or transmigration of souls, also prevails among the gipsies in many parts of the world. How far this shadowy belief is to be regarded as a relic of their ancient religion we cannot determine, but the Zind-Cales unquestionably brought the doctrine with them in their migration from India, and are now the only people among whom it Gipsies have is to be found in Europe. been heard to declare that it was useless to execute them, as they could not die; and however the souls of the race may wander, they will be sure to join each other at last.

Though careless of life, the gipsies cling to it with excessive, unbounded love, with the tenacity that can result only from having no ray of hope beyond the grave. Infanticide is unknown among them, and no gipsy ever committed suicide on account of anxiety or despair incident to his manner of life. He never thinks of death until the grim monster stands before him, and at the last moment his terror is as dreadful as his previous existence has been gay and thoughtless. A Hungarian gipsy requested, as a particular act of grace, that he might not be hanged with his face toward the high road, saying: Many of my acquaintances passed that way, and I should be very much ashamed to be seen by them hanging on a gallows." The relatives of a gipsy on his way to execution, perceiving how reluctantly he advanced, remonstrated thus with the magistrates: "Gentlemen, pray do not compel a man to a thing for which you see he has no desire or inclination."

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In the morning of the day on which young Charlie Graham, a gipsy chief of Fife, was to be executed for horse-stealing, he sent a message to one of the magistrates of Perth requesting a razor, at the same time, in a calm, cool manner,

and

desired the person to tell the magistrate "that unless his head was shaven he could neither appear before God nor man." This extraordinary expression almost warrants the opinion that the culprit imagined he would appear in his mortal frame before the great Judge of the universe, and that the Almighty himself was a being composed of flesh and blood like an earthly judge. A short time before he was led to the gallows he was observed to be very pensive and thoughtful. All at once he started up and exclaimed in a mournful tone of voice, "O! can any one of ye read, sirs; will some of ye read a psalm to me?" at the same time regreting much that he had lived without instruction. The fifty-first psalm was accordingly read to him by a gentleman present, and somewhat soothed his feelings. He was greatly agitated when ascending the platform, his limbs trembling with terror; but just before being cast off the inveterate gipsy feelings returned. In the sight of the spectators he kicked from his feet both his shoes. It was understood by all present that the object of this strange proceeding was to set at naught some prophecy that he would die with his shoes on.

Many of the Hungarian gipsies have been raised to a state of semi-civilization, no longer pursuing the nomadic life of their ancestors.

But yet there is always something to betray the gipsy nature. First, there is the copper color of the countenance, which the greatest care at the toilet cannot remove; and then if you enter his dwelling you soon see further evidence of his origin. He sits himself, most likely, with his feet stuck out of the window, fiddling. His finest clothes are thrown in a heap with his old ones, all lying together on the floor, or on the bed, covered with feathers. The candle is stuck into a champagne bottle, his pocket-book with cigars is lying in the spit-box, and in everything within there are marks of the same Russio-elegant indolence which the gipsy never shakes off.

Exposed to the salutary influences of the earth and air, the gipsies, though the creatures of so many vicissitudes, enjoy much more health than is usual with people who are civilized. Plague and pestilence appear to sweep by them in search of other victims. They are exceedingly wellVOL. XIII.-24

formed, and the enormous adipose developments, the distorted limbs and worthless members which pertain to the dwellings of civilization, are rarely seen in the tents of the gipsies. There are no dwarfs among them and no giants. Their bodies are supple, combining strength with activity. As among barbarians everywhere, a smaller proportion of their children reach the age of adults than in civilized society; but such of them as survive the terrible ordeal of childhood acquire thereby a hardiness of constitution upon which the elements appear to have no material influence. When a naked gipsy boy complained that he was hungry and freezing, his mother told him to tie a string around his body and go out and steal something to eat. Such are the gipsies.

CHRISTIANITY IN THE THIRD CENTURY.

FABIOLA STRUGGLING.

N the midst of all these questionings,

In the mies turned from wie nings.

tient pride, and again sought with irresistible desire, Fabiola was summoned to an interview with the young Tribune whose superiority had so attracted her, and excited an admiration not easily awakened in her aspiring mind. He called to inform her of a plot among her slaves, which might affect her safety, and, true to his Christian principles, turned the conversation to death and its necessary preparation. After a lengthened discussion, he remarked: "Let it come in any form, it comes from a hand I love."

"And do you really mean that death, so contemplated, would be welcome to you?" asked Fabiola.

"As joyful as is the epicure when the doors of the banqueting-hall are thrown wide open, as blythe as is the bride when the bridegroom is announced coming with rich gifts to conduct her to her new home, will my exulting heart be when death, under any form, throws back the gates, iron on this side but golden on the other, which lead to a new and perennial life. And I care not how grim the messenger may be that proclaims the approach of Him who is celestially beautiful."

"And who is He?" asked Fabiola, breathlessly. "Can he not be seen save through the fleshless orbs of death?"

"No," replied the Tribune; " for it is He who must reward us, not only for our lives, but for our death also. Happy they whose inmost hearts, which he ever reads, have been kept pure and innocent, as well as their deeds have been virtuous. For them is this bright vision of Him whose true rewards only then begin."

How very like Lyra's doctrines she thought; but before she could speak again to ask whence they came a slave entered, stood on the threshold, and respectfully said: "A courier, madam, has just arrived from Baja."

"Pardon me," she exclaimed to her visitor. "Let him enter immediately."

The messenger came in, covered with dust and jaded, having left his tired horse at the gate, and offered her a sealed packet. Her hand trembled as she took it; and while she was unloosing its bands, she hesitatingly asked: "From my father?" "About him, at least," was the ominous reply. She opened the sheet, glanced over it, shrieked, and fell. One glance

had told her all her father was dead.

A HEATHEN'S SORROW.

Her father's death not only grieved her heart, but deepened the struggles of her wounded mind. Unconsciousness was succeeded by violent paroxysms of grief; and while the attendant who had authority administered all known remedies for the body, her Christian maid could only pray and hope-hope that a new grace was folded up, like a flower, in this tribulation; that a bright angel was riding on the dark cloud that overshadowed her humbled lady. As grief receded it left some room for thought; this came to Fabiola in a gloomy, oppressive shape. What was become of her father? whither was he gone? had he melted into unexistence? or had he been crushed into annihilation? had his life been searched through by that unseen eye which sees the invisible? had he stood the proof of that scrutiny which Lyra and the young Tribune had described? Impossible! Then what had become of him?

She shuddered at the thought, and put it from her. O for a ray of light that would dart into the grave and show her what it was! Science, philosophy, poetry could not. Glorious light was shining in Lyra's mind, and prayer and faith were strong within her; but in this hour of grief but little could be spoken, for no

Christian could hope in that heathen death, and it seemed cruel in the hour of bitter bereavement to deepen the daughter's anguish by depicting her father's certain doom in the clear light of Christian truth.

LIGHT INCREASING.

The edict was promulged which consigned every faithful Christian to prison and to violent death. Old age, mature manhood, young, buoyant life, yea, even childhood, contributed their willing offering to the dungeon, the rack, the fire, and the amphitheater. Fabiola heard and wondered. The evidence grew clearer, and approached nearer. Her dear young cousin and the noble Tribune stood forth among the persecuted host; and her last interviews with these faithful martyrs, their firm trust, their joyful hopes, their earnest entreaties that she would examine the ground of their confidence, and yield fully to her convictions, irrespective of the consequences, destroyed all prejudice, and prepared her for the full reception of Christian truth, for she was not yet a Christian. She had never heard of a God one in Trinity; she had never been told of the marvelous history of the Redemption by God's sufferings and death; she had not heard of Nazareth, or Bethlehem, or Calvary. She returned home, exhausted by the scenes of suffering she had witnessed, and retired to her apartment, no longer, perhaps, even a philosopher, yet not a Christian. She desired all her servants to keep away from the court she occupied, that she might not be disturbed by the smallest noise. There she sat in loneliness and silence for several hours. The past, in its connections, rose plainly before her, and she exclaimed: "How strange that every one whom I have known, endowed with superior excellence—men like the Tribune, women like Agnes, should turn out to have belonged to the scorned race of Christians! One only remains, and to-morrow I will interrogate her.

While thus alone and desolate she was disturbed by the entrance of a stranger, introduced under the ominous title of a “messenger from the emperor." The porter had at first denied admittance; but upon his being assured that he bore an important embassy from the sovereign, he was obliged to inquire from the steward what to do, when he was informed that no one with such a claim could be denied entrance. Fabiola

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