Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 38
With an Introd. by Harold Clurman Robert Lewis. scene . Even an actor who has no interest in anything like Stanislavski will say , " Look at me when I talk to you ! " " Communion , " it is called in An Actor Prepares , and it can be an ...
With an Introd. by Harold Clurman Robert Lewis. scene . Even an actor who has no interest in anything like Stanislavski will say , " Look at me when I talk to you ! " " Communion , " it is called in An Actor Prepares , and it can be an ...
Page 92
... actors ? Truthfully , have not some of us studied the whole first half of the chart to the detri- ment of the second half ? ( Or to put it another way : An Actor Prepares to the detriment of Creating a Character ? ) Why ? I keep ...
... actors ? Truthfully , have not some of us studied the whole first half of the chart to the detri- ment of the second half ? ( Or to put it another way : An Actor Prepares to the detriment of Creating a Character ? ) Why ? I keep ...
Page 162
With an Introd. by Harold Clurman Robert Lewis. great actors and watched what ... actor to work . I said that it is a pity that followers of masters are often ... Prepares and Building a Character , which embodied his entire system , were ...
With an Introd. by Harold Clurman Robert Lewis. great actors and watched what ... actor to work . I said that it is a pity that followers of masters are often ... Prepares and Building a Character , which embodied his entire system , were ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words