Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 32
... Hamlet : the circum- stances that exist before Hamlet's part begins are that his father , whom he adored , has died and his mother has mar- ried Hamlet's uncle shortly thereafter . In his first scene he sets about finding out something ...
... Hamlet : the circum- stances that exist before Hamlet's part begins are that his father , whom he adored , has died and his mother has mar- ried Hamlet's uncle shortly thereafter . In his first scene he sets about finding out something ...
Page 152
... Hamlet . Stanislavski had pin- pointed the problem of poetic drama we have discussed by saying to the actors , “ In Hamlet you are given great feeling to portray and great words to speak . " He then got together with Craig , who was to ...
... Hamlet . Stanislavski had pin- pointed the problem of poetic drama we have discussed by saying to the actors , “ In Hamlet you are given great feeling to portray and great words to speak . " He then got together with Craig , who was to ...
Page 157
... Hamlet , is not very gifted , so this method is used in order to single him out - it's common practice to hurry through all the passages where Hamlet is absent . C : This is not any specific company . What I mean is that the ability to ...
... Hamlet , is not very gifted , so this method is used in order to single him out - it's common practice to hurry through all the passages where Hamlet is absent . C : This is not any specific company . What I mean is that the ability to ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words