Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page vii
With an Introd. by Harold Clurman Robert Lewis. ILLUSTRATIONS Mr. Lewis lecturing on Method - or Mad- ness ? Playhouse Theatre , New York . Chart of " The Stanislavski System ... Harold Clurman These informal lectures delivered by Robert.
With an Introd. by Harold Clurman Robert Lewis. ILLUSTRATIONS Mr. Lewis lecturing on Method - or Mad- ness ? Playhouse Theatre , New York . Chart of " The Stanislavski System ... Harold Clurman These informal lectures delivered by Robert.
Page ix
With an Introd. by Harold Clurman Robert Lewis. INTRODUCTION By Harold Clurman These informal lectures delivered by Robert Lewis to an audience of professional actors constitute a kind of codi- cil to the classics of the subject , the ...
With an Introd. by Harold Clurman Robert Lewis. INTRODUCTION By Harold Clurman These informal lectures delivered by Robert Lewis to an audience of professional actors constitute a kind of codi- cil to the classics of the subject , the ...
Page 15
... Harold Clurman . Those actors developed into teachers who then formed a studio and taught other actors . In that studio Sanford Meisner , Elia Kazan and I taught . Then in 1947 - we've come half a century already - Kazan , Cheryl ...
... Harold Clurman . Those actors developed into teachers who then formed a studio and taught other actors . In that studio Sanford Meisner , Elia Kazan and I taught . Then in 1947 - we've come half a century already - Kazan , Cheryl ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words