Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page v
... LECTURE : Background SECOND LECTURE : The Method Itself PAGE ix 3 23 THIRD LECTURE : Some Attitudes toward the Method 51 FOURTH LECTURE : Method Fetishes FIFTH LECTURE : " Truth " in Acting 67 87 105 SIXTH LECTURE : Actors or Artists ?
... LECTURE : Background SECOND LECTURE : The Method Itself PAGE ix 3 23 THIRD LECTURE : Some Attitudes toward the Method 51 FOURTH LECTURE : Method Fetishes FIFTH LECTURE : " Truth " in Acting 67 87 105 SIXTH LECTURE : Actors or Artists ?
Page 3
With an Introd. by Harold Clurman Robert Lewis. FIRST LECTURE : Background TIME : April 15 , 1957. 11:30 P.M. SCENE : The auditorium and bare stage of the Playhouse Theatre in New York City . The house is humming with ... LECTURE: Background.
With an Introd. by Harold Clurman Robert Lewis. FIRST LECTURE : Background TIME : April 15 , 1957. 11:30 P.M. SCENE : The auditorium and bare stage of the Playhouse Theatre in New York City . The house is humming with ... LECTURE: Background.
Page 87
... actors of his day ; he felt there must be some way in which one could use one's own sense of truth to create parts . But now it comes down to the question of what truth ? Is it to be the truth 87 FIFTH LECTURE: "Truth" in Acting.
... actors of his day ; he felt there must be some way in which one could use one's own sense of truth to create parts . But now it comes down to the question of what truth ? Is it to be the truth 87 FIFTH LECTURE: "Truth" in Acting.
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words