Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 24
It is dangerous , in one short evening , even to try to summarize the work that a
great theatrical master spent a lifetime on . It is , however , the only way that I can
try to define correctly for you his terms that one continuously hears bandied about
...
It is dangerous , in one short evening , even to try to summarize the work that a
great theatrical master spent a lifetime on . It is , however , the only way that I can
try to define correctly for you his terms that one continuously hears bandied about
...
Page 72
That was written in 1924 — quite prophetic . Conversely , some who would
maintain they understood the Method not at all , might actually perform in a way
that does the Master proud . Every time one has a discussion on this subject , the
name ...
That was written in 1924 — quite prophetic . Conversely , some who would
maintain they understood the Method not at all , might actually perform in a way
that does the Master proud . Every time one has a discussion on this subject , the
name ...
Page 162
I said that it is a pity that followers of masters are often inclined to be more
dogmatic than the masters themselves . While Stanislavski was very reluctant to
put down his findings in any permanent form , hesitating for a long time , and only
...
I said that it is a pity that followers of masters are often inclined to be more
dogmatic than the masters themselves . While Stanislavski was very reluctant to
put down his findings in any permanent form , hesitating for a long time , and only
...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole